Senin, 28 Februari 2011

Naked Human, by Christopher Poindexter

Naked Human, by Christopher Poindexter

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Naked Human, by Christopher Poindexter

Naked Human, by Christopher Poindexter



Naked Human, by Christopher Poindexter

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The blooming of madness. Christopher Poindexter's first book is an exploration of humanity at its finest and at its worst. This is a story written between 2011-2015 about the discovery of what makes us human: doing whatever it takes to keep the loneliness away.

Naked Human, by Christopher Poindexter

  • Amazon Sales Rank: #210298 in Books
  • Published on: 2015-03-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .41" w x 6.00" l, .55 pounds
  • Binding: Paperback
  • 180 pages
Naked Human, by Christopher Poindexter


Naked Human, by Christopher Poindexter

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2 of 2 people found the following review helpful. it's a must read! By Miguel C. This book is a masterpiece! It inspires and connects to you in a spiritual way. It is addicting to just turn to a page at random to feel how he can touch your soul.

1 of 1 people found the following review helpful. This is beautifully written food for the soul! By AudraNicole After I got this book I read it from cover to cover in just a few hours! It's amazing! My daughter was joking with me about what a giant NERD I was until her camping trip the next weekend with friends. There was an agreement for her to take the book along. She and her friends read the book around the campfire the first night and then she took it out with her the next morning to read while everyone else was still sleeping. She hiked BACK to camp to get her phone to call me to tell me how amazing the book I had read in just a few hours was & now she has her own copy and is obsessed! I also bought a copy for another friend and he is in love with it as well! Very different people from EVERY walk of life who understand the ugly, messy, beauty of this hard, stupid, lovely life we get will LOVE every minute of every word Christopher Poindexter has placed on the page! SO SO SOOO worth it! Buy it! NOW!!

2 of 2 people found the following review helpful. Im so happy, this book is an artwork By Amazon Customer I just got my book. Im so happy, this book is an artwork, Im obsessed with it. Thank you for each word, each draw, each empty space ...

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Naked Human, by Christopher Poindexter

Naked Human, by Christopher Poindexter

Naked Human, by Christopher Poindexter
Naked Human, by Christopher Poindexter

Eerie Archives Volume 13, by Various

Eerie Archives Volume 13, by Various

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Eerie Archives Volume 13, by Various

Eerie Archives Volume 13, by Various



Eerie Archives Volume 13, by Various

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The fiendish Eerie Archives series is back with a lucky thirteenth volume of horror, fantasy, and science fiction from Warren Publishing’s classic anthology! Collecting issues 61 through 64 from the mid-seventies, this terrible tome features dark and dystopian tales from talents like Wally Wood ("Killer Hawk"), Alex Toth ("Daddy and the Pie"), Bernie Wrightson ("Cool Air"), and Richard Corben ("The Butcher"). Revel in the vengeful exploits of favorite recurring characters Dr. Archaeus, Coffin, Exterminator One, the Spook, and others! This deluxe hardcover also includes all original letters columns and color frontispieces, haunting painted covers by Ken Kelly and Sanjulian, and a new introduction by modern horror pioneer and painter Tom Neely (The Blot, The Wolf).

Eerie Archives Volume 13, by Various

  • Amazon Sales Rank: #871518 in eBooks
  • Published on: 2015-03-11
  • Released on: 2015-03-11
  • Format: Kindle eBook
Eerie Archives Volume 13, by Various


Eerie Archives Volume 13, by Various

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Most helpful customer reviews

3 of 3 people found the following review helpful. Swipes, swindles & swaps By Diego Cordoba As I have already spoken of most of the Spanish artists that collaborated for the Warren magazines, this will be my last entry concerning these archives. Most of the artists I spoke of would either leave Warren by the mid 70's, or a few would remain till the very end. As to why they left, is, according to most of them, simply because they got bored of doing all those horror stories, and many of them went on to other (sometimes greater) things. By the end of the 70's, most of the art would be done by the Filipino artists, and contrary to what many believe, it wasn't because they were paid less, or were better than the Spaniards: they simply filled the void left by the Spaniards, and gladly went over to Warren who paid better than the nickels and dimes they were getting at DC and Marvel.There are two artists I never mentioned, and it was on purpose, as their work for Warren wasn't up to their talents, and indeed, what was published herein was far inferior to what they were capable of. Maybe because they didn't like the horror genre. These two artists were Victor de la Fuente and Jesus Blasco, the Spanish equivalents of Alex Raymond and Hal Foster. That is to say, the two top Spanish artists of all time. Victor de la Fuente never found a series or a writer with whom he could create something that would last forever (though with Victor Mora he came pretty close), and other than his sword & sorcery series "Haxtur" and "Haggarth" (which were both eventually published in the Warren magazines), little is known of him in America. Nevertheless, Victor de la Fuente is pretty well known in Europe, and he's the sort of artist who could tackle any subject, though aside of his two s&s series, he did little in the sci-fi and horror genre.Jesus Blasco was Victor's equivalent, though much older. Blasco was one of Spain's premier artists, having created the kiddie adventures of Cuto as far back as the '30's (drawn first in a humorous style, and then in a realistic way), and he's best known for having drawn "Steel Claw" for the British weeklies, in a very, almost photo-reslistic style (London never looked as real as in Blasco's strips).Also a special mention must go to Carlos Prunes, who was actually the first artist to send his work to Warren, long before Toutain had made the trip to America. As to why Prunes, who drew in a style reminiscent of Alex Raymond, didn't continue his collaboration with Warren, is open to debate. Prunes says that he didn't like the scripts he was given, and decided to leave. There's also a rumor that once Toutain, who was the head at SI Artists--the art agency Prunes and most of the Spanish artists worked for--, got word that one of his collaborators was selling his work without telling him, Toutain got mad and fired Prunes. Prunes said he left on his own volition.That said, looking at this volume of the Eerie archives, I noticed Paul Neary's Exterminator story in color. What I noticed is that Neary must've had a hard time competing with the Spaniards--as he drew in the Marvel style--, so to keep up with them he did the best he could: he started swiping their art. In this color story we can see he clearly swiped the most photo-realistic of the Spaniards: Luis Garcia. I wonder if swipe is the right word, as he has exactly the same drawings of a story Garcia had done for the French. Maybe believing that he wouldn't be caught swiping a european comic, Neary practically traced Garcia's characters. Unfortunately for him (Neary, I mean), Garcia's story in question would be published in a future Vampirella issue ("Love strip", Vampirella # 44). If you have the latest Vampirella archives (vol. 7), check Garcia's story and then Neary's and notice they are both using the same character (who happens to be Spanish artist Carlos Gimenez; the first real person to appear in two different Warren stories). But not only is Neary swiping Garcia, he's also swiping Albero Breccia's "Mort Cinder" stories (the Ezra Winston character is used in this story as well). Apparently nobody caught up with the swipe at the time (until now?).As to José Ortiz's Apocalypse, these were actually a series of stories Ortiz did as a presentation for Warren. The stories were bought, and as what was becoming the practice of the company, it was completely re-written, bearing little resemblance to the actual stories Ortiz had done. However, we get to see Ortiz's absolutely brilliant art (he was a master of black and white, as these stories can attest).Esteban Maroto turns in a pretty interesting version of a Nathaniel Hawthorne story (at least artistically speaking). In this story alone he uses about every inking technique the Spaniards were known for.Of special interest too is the work of Joaquin Blazquez, a young artist who relied heavily on photographs as well, and would be known for the lawsuit he attempted against the makers of E.T. (See my review for Vampirella Archives volume 7, for more information). His art, nonetheless, is absolutely magnificent!We also have great work from Americans Richard Corben, Wally Wood, Alex Toth and Berni Wrightson.And lastly, we get the conclusion to one of my favorite serials: the infamous "Dr. Archaeus". In the previous volume the wily doctor kills his pursuer (which by the way, must've been a first anywhere; to kill the hero in the penultimate chapter of the serial). Here we meet a new character whom I'm sure was meant to be a hero for a future series, but it never came to be. The ending is a little disappointing after all we've been put through. That said, I'll share with you an interview I did a couple of weeks ago with the serial's artist: Isidre Monés.Isidre started in the advertisement business and had drawn some children's books before he joined SI Artists as a comic book artist. He practically began in the comic book business directly with Warren. By the way, the brackets in the interview are mine.- Isidre, do you remember your first Warren story?IM: Yes. I had just arrived at Selecciones (SI Artists, the agency in Barcelona representing all the Spanish artists) with an adaption I had done from a Russian story, and they handed me 10 pages of a Warren story to adapt. It was called "Blood brothers" and it eventually appeared in Vampirella. Being my first professional job, I put everything in that story. That is, the shading of Toppi (Sergio Toppi, Italian artist), the washtones of Battaglia (Dino Battaglia, another Italian artist who actually drew at the same size his work was printed), the rubbing and scratching of Breccia (Alberto Breccia whom I've mentioned in previous reviews), and the pencil tones from Luis Garcia whom I had just discovered. It all became part of that first story. Another thing, the pay was good enough that you could spend more time on each page. I never spent as much time on a job as I did on those first pages. I just had fun, got paid, and never thought of getting the originals back.- That's weird... Warren normally gave the originals back...IM: Well you see, Diego... I gave the originals to Selecciones (SI Artists)... and I never saw them again. When years later, I asked what had happened with the originals, I was told that Warren never gave them back, but who knows?I never formed part of that group of Spaniards who worked for Creepy. Maroto, Beá, Torrents, Auraléon, Garcia, Gimenez, where all older than me. I began working for Warren in 73, and the truth is that I don't have a single original.A couple of years ago I saw in the net that they were selling the originals of my Poe adaption of "Berenice". I was about to buy them, but they were too expensive, and I never saw them again.- Getting back to that first story. Did you know it was written by a woman?IM: I'm discovering that now that you tell me. Now, 40 years later I understand what drew me to the script--we could choose them, by the way... It was its sensibility and profoundness, something that you rarely find in a beginner's script. Truth of the matter is that we didn't know any of the writers. They just gave us a story and told us what to draw on each panel...- You mean you didn't get a written script?IM: Well, as you know, the stories had a lot of text. We only got a short version of it, giving us the gist of the story... I really don't know what they wrote inside the balloons or text boxes.- So you only turned in illustrated pages with no text? You know, many American artists said that you guys only did nice drawings, but couldn't tell a story. That you weren't really comic book artists.IM: Well, I think they were right. On rare occasions were there panels that pretended to be cinematographic. In my case, I was more worried about composing the page, but paid little attention to the dynamics. The thing about "nice drawings" well rendered, but not very comic-like, seems pretty much on target.- Let's talk about Dr Archaeus, one of my favorite serials...IM: Archaeus, yes!- Did you pick that one out?IM: No, that was given to me, and I didn't like it much.- What?! It's the one with the crazy doctor who kills every member of the jury following the 12 days of Christmas rhyme. Do you know the rhyme?IM: No. I don't know anything about it...- That serial is a masterpiece (I go on for about an hour talking about it)...IM: Well, now that I've heard you talk about it, I don't know if I knew about the song or not... The thing is that I've never been interested in movies about serial killers, the zodiac killer, apostles, or bizarre murders as is the case with Archaeus.But looking back, that Gerry (Boudreau, the writer of the series) guy was pretty original, as we've seen from what you just told me.Before that, we had the three blind mice and the ten little indians, which is the only thing I remember as a "game" between the assasin and the detective. In other words, a complete bore. Do you know that I only remember but a few chapters? The one taking place in the abbey is the one I liked best. I've seen similar things since.Hey, is it true that Gerry is now a famous writer of movies and tv series?All in all, this particular volume is highly recommended!

2 of 2 people found the following review helpful. The Land of Serials By Jason Kerr The latest Eerie Archives is another showcase of wonderful artwork. Some of the drawings resemble black and white photographs. Eerie, some archives back, turned into Warren's serial magazine. Vampirella was already a smash hit but as we all know, it's very hard to turn stories out in a consistent manner that's believable. The decision was made to have short serial runs whereby a sudden ending can come at anytime and the hero or villain could meet a fatal end. This is my first go through with the Eerie line so I cannot say which serials return or not but here is what is in this archive:1. Coffin - The living dead man (1 story).2. Killer Hawk (drawn by Wally Wood) - 1 story.3. Cotton Boy & Captain Blood - 1 story.4. Mummy & Werewolf Series - 3 stories. Both had their own serials that really didn't go too far so the idea was to merge them together and see what happens. I lost track of the characters and I couldn't really enjoy this series.5. Dr. Archaeus - 1 story. I really felt that this was a great series with good plot twists and excitement. I didn't feel that way at first but the series got better with time. I really thought there were a few more stories left to be told but this series concludes in a way I never expected.6. Apocalypse - 3 differant stories.7. Horror story classics - The first story is Lovecraft's "Cool Air" masterfully drawn by Bernie Wrightson. The 2nd is "Hollow of the Three Hills" by Hawthorne.8. The Spook - 3 stories with a new character named Crackermeyer. The Spook is not the lead anymore and makes limited appearances.9. The Butcher drawn by Corben - 2 stories. This is a mafia color serial and Corben's brutal depiction of a priest getting his face carved up is haunting.10. Circus of Pain - 1 story.11. Night of the Jackass - 2 stories. I loved the original story and one never knows how the latest story might end. Under seige in these stories are a church and an orphanage.12. Daddy and the Pie - 1 story.13. Exterminator 1 - 2 stories. This series may be the best in this archive. There are two awesome covers done by Ken Kelly. The story line is very interesting and you just have to know what comes next.This is what Eerie Archives 13 is all about. Anything goes in this volume.

1 of 1 people found the following review helpful. Serials abound and a few excellent stand alones By Dean Wirth Wrightson, Corben, Oritz and Paul Neary are all over this volume. Wrightson gives four full page two color drawing of cousin Eerie , masterful portraits and Lovecraft's Cool Air also gets Wrightson's masterful treatment in story form. Corben offers a gangster two shot series one in color and one in black and white. Paul Neary start the excellent Exterminator One series in color then black and white, Jose Oritz is everywhere in this volume, his excellent if sparse drawing style can sometimes be quite breathtaking. Ken Kelly (an underrated cover artist if there ever was one) does most of the covers including the dust jacket (which is of the Exterminator One series). Slavery, End of the World, Religion, and War are major themes in these issues, sometimes a little to preachy for my tastes, but the old werewolf/mummy themes are still present in the dumbest series that just wouldn't die (really -a were-mummy?). A little run of the mill and quite a bit of the old Warren magic makes this 4 volume well worth having.

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Eerie Archives Volume 13, by Various

Eerie Archives Volume 13, by Various

Eerie Archives Volume 13, by Various
Eerie Archives Volume 13, by Various

Sabtu, 26 Februari 2011

Astro City: Private Lives, by Kurt Busiek

Astro City: Private Lives, by Kurt Busiek

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Astro City: Private Lives, by Kurt Busiek

Astro City: Private Lives, by Kurt Busiek



Astro City: Private Lives, by Kurt Busiek

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When you're the Silver Adept, one of Astro City's newest and most powerful mystic heroes, your life is full of magic, battle, demons, apocalypses and more. When you're the Adept's personal assistant, though, life gets really weird. A look at the woman behind the hero.Collects ASTRO CITY #11-16.

Astro City: Private Lives, by Kurt Busiek

  • Amazon Sales Rank: #688107 in Books
  • Brand: Busiek, Kurt/ Anderson, Brent Eric (ILT)/ Ross, Alex (ILT)
  • Published on: 2015-03-17
  • Released on: 2015-03-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.46" h x .56" w x 6.84" l, .0 pounds
  • Binding: Hardcover
  • 176 pages
Astro City: Private Lives, by Kurt Busiek

Review "Astro City reminds readers just how much fun Busiek and Anderson's series can be. It was absolutely worth the wait."—COMIC BOOK RESOURCES"I don't often realize how much I miss "Astro City" when it's gone until it comes back and sweeps me up again."—MTV GEEK

About the Author Kurt Busiek was born in Boston, Massachusetts. He began writing comics professionally in 1982, selling stories to both DC and Marvel Comics in the same month, both of which appeared the same day. Since then, he's written series and characters ranging from Mickey Mouse to Vampirella, including Aquaman, Spider-Man, Conan, Iron Man, the Avengers and more. He is best known for the Marvels series and for his co-creation Astro City, both of which have garnered numerous industry awards. He lives in the Pacific Northwest with his wife, Ann, and his two daughters. He spends far too much time on the Internet.


Astro City: Private Lives, by Kurt Busiek

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3 of 3 people found the following review helpful. Great book. By Dirk Hill I love the Astro City series and this one is nice addition to the set. As usual for Busiek (although not always) the viewpoint of the story is not from the superheroe. It is from someone intimately associated with them, the sorceress's assistant. If you have liked the Astro City stories before this one will not disappoint; if you have never read any of the other stories, you can read this one without knowing anything about Astro City and enjpy it completely.

0 of 0 people found the following review helpful. Astro City is still one of the smartest books around. By Drown Hollum Setting off on another Astro City adventure, Busiek again chooses to tell a series of short stories in this volume instead of one focused tale. We get a smattering of Astro City insights, meeting a handful of new characters, all with the usual Astro City misdirections. Anderson's style is really showing its age at this point, and is becoming a distraction from the excellent Alex Ross designs. That's a tough thing to admit to considering his history with the book, but I'm just not blown away by the artwork anymore. I would have preferred a focused singular story from this collection, but most of the books shortcomings are made up for in the excellent final story of the trade, focused on high school aged heroes and identity issues. Astro City is still one of the smartest books around, but this particular volume felt a bit more like a warm-up stretch than it did a main event. Still, Busiek is a master, and his warm up stretches still read better than most of the competition at 100%.

0 of 0 people found the following review helpful. Busiek serves up a fantastic collection of down-to-earth stories set in a larger than ... By Adam Philpott As always, Busiek serves up a fantastic collection of down-to-earth stories set in a larger than life world. The final story in this collection caught me off guard and was truly one of the gems of the series as a whole (which is saying a lot when it comes to Astro City).

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Astro City: Private Lives, by Kurt Busiek

Astro City: Private Lives, by Kurt Busiek

Astro City: Private Lives, by Kurt Busiek
Astro City: Private Lives, by Kurt Busiek

Jumat, 25 Februari 2011

Get the Guy by Texting: How to Text a Man, Flirt, Tease, and Leave Him Begging You for More

Get the Guy by Texting: How to Text a Man, Flirt, Tease, and Leave Him Begging You for More

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Get the Guy by Texting: How to Text a Man, Flirt, Tease, and Leave Him Begging You for More

Get the Guy by Texting: How to Text a Man, Flirt, Tease, and Leave Him Begging You for More



Get the Guy by Texting: How to Text a Man, Flirt, Tease, and Leave Him Begging You for More

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Get the Guy by Texting

How to text a man, flirt, tease and leave him begging you for moreI’m sure you have heard of the adage - the way to a man’s heart is through his stomach. But that saying is now quite old and there is a new one in town, which goes - the way to a man’s heart is through an SMS. Yes, that’s right, just with a phone SMS, you can win over your man’s heart and not have to set a foot in the kitchen! So if you have a man in your mind, then all you have to do is type away to his heart. You can, in fact, make any man swoon for you, just by typing a few words on your mobile phone!

In Get the Guy by Texting:

  • Eight texting secrets for women
  • Nine keys to sexting like a pro
  • Nine phone sex basics
  • Ten mistakes to avoid while texting a man
Although most of these techniques work on men of all types, you can customize them to your liking, depending on the type of man that you are trying to flirt with.Once you garner the confidence, you will be able to text men, more and more, and get them to like you faster. If you think you need to have a trial run before you start to message the boy of your dreams, then you can enlist the help of a friend, and ask him to text you to check your flirting ability. You can ask him to correct you if you are going wrong somewhere and also tell him to point to where you are going right. Once you think you have the right skills to do it, you can start messaging your dream boy and get him to fall for you.

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Get the Guy by Texting: How to Text a Man, Flirt, Tease, and Leave Him Begging You for More

  • Amazon Sales Rank: #443580 in eBooks
  • Published on: 2015-03-20
  • Released on: 2015-03-20
  • Format: Kindle eBook
Get the Guy by Texting: How to Text a Man, Flirt, Tease, and Leave Him Begging You for More


Get the Guy by Texting: How to Text a Man, Flirt, Tease, and Leave Him Begging You for More

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Most helpful customer reviews

0 of 0 people found the following review helpful. I find it interesting, though I still opted for someone that waited me to do the first move. By James This book intrigues me that is why I grabbed a copy of it. Seriously, I hated the idea of being flirted by a girl, for I still opted for someone that waited me to do the first move. However, this book suggested that woman can make the first move through texting in which I find it interesting. Women will be reprimanded reading this since the 10 mistakes to avoid while texting a man is greatly emphasize. This is where a woman will learn how to text men the right way and allow them to have the man of their dreams. This might not be applicable all the time, but at some point it did help. But what's nicer, if a woman can wait for the man to do the first move. Recommend it for all women out there who longed to meet the man of her dreams.

0 of 0 people found the following review helpful. Has more than just flirting.. By Brendan Got this book for a friend who has trouble talking to guys. I read it before I loaned it to her and I was surprised to see that this book goes beyond just texting and flirting but even includes often overlooked keys to a healthy relationship. I would recommend to anyone looking for a little help approaching guys and especially by text.

0 of 0 people found the following review helpful. Texting tricks By Leonie Kaiser There is some good tips on how to get a guy by texting, some of the tips I wasn't aware of and I may try them. There are also an overview of the things you can do and the ones you should avoid. This can save you a lot of mistakes in the future. The book is a bit short but to the point. I recommend checking it out

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Get the Guy by Texting: How to Text a Man, Flirt, Tease, and Leave Him Begging You for More

Get the Guy by Texting: How to Text a Man, Flirt, Tease, and Leave Him Begging You for More
Get the Guy by Texting: How to Text a Man, Flirt, Tease, and Leave Him Begging You for More

Selasa, 22 Februari 2011

More Cartoons:: Men & Women & Children, by Bernard Schoenbaum

More Cartoons:: Men & Women & Children, by Bernard Schoenbaum

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More Cartoons:: Men & Women & Children, by Bernard Schoenbaum

More Cartoons:: Men & Women & Children, by Bernard Schoenbaum



More Cartoons:: Men & Women & Children, by Bernard Schoenbaum

Ebook PDF More Cartoons:: Men & Women & Children, by Bernard Schoenbaum

You may wonder why the title includes the word “more.”

Bernard Schoenbaum’s cartoons have been published worldwide but upon his death, hundreds of unpublished cartoons were found in his files.

To distinguish them from the already published cartoons, my daughter, Laura, a graphic designer, and I have organized them and compiled some of them into the group included in this publication with the title of More Cartoons: Men & Woman & Children.

So here you have more. Hope they bring smiles!

More Cartoons:: Men & Women & Children, by Bernard Schoenbaum

  • Amazon Sales Rank: #3334441 in eBooks
  • Published on: 2015-03-25
  • Released on: 2015-03-25
  • Format: Kindle eBook
More Cartoons:: Men & Women & Children, by Bernard Schoenbaum

About the Author

Bernard Schoenbaum was born and raised in New York City. After receiving his art education at Parsons School of Design, he was a freelance advertising illustrator for many years.

Appearing in The New Yorker since 1974, he became a contract cartoonist with more than four hundred cartoons published. His cartoons have been reprinted in books and periodicals worldwide and are also in many private collections.

His other endeavors included teaching the figure, life drawing, portrait sketching, sculpture, oil painting, and water colors. These have also been privately collected.

He and his wife, Rhoda, a retired librarian, resided in Whitestone, New York, with a winter residence in West Palm Beach, Florida.

His three grown daughters are Laura Schoenbaum-Rothenberg of Shirley, New York, a graphic designer; Audrey Tufano of East Meadow, New York, a computer technician; and Joyce Dara of Santa Monica, California, an instructional director in Los Angeles Unified School District, California. His granddaughter, Cassandra Tufano, is a graduate of SUNY Albany.


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0 of 0 people found the following review helpful. Great tribute to an amazing artist By Hatter What a fascinating book! Great tribute to an amazing artist.

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More Cartoons:: Men & Women & Children, by Bernard Schoenbaum

Minggu, 20 Februari 2011

Citizen Sailors: Becoming American in the Age of Revolution, by Nathan Perl-Rosenthal

Citizen Sailors: Becoming American in the Age of Revolution, by Nathan Perl-Rosenthal

Reading, once again, will give you something brand-new. Something that you have no idea after that exposed to be populared with guide Citizen Sailors: Becoming American In The Age Of Revolution, By Nathan Perl-Rosenthal message. Some understanding or driving lesson that re received from reviewing e-books is vast. Much more e-books Citizen Sailors: Becoming American In The Age Of Revolution, By Nathan Perl-Rosenthal you check out, even more understanding you get, as well as a lot more possibilities to always like reviewing books. Due to this reason, reading publication ought to be begun with earlier. It is as what you could get from the publication Citizen Sailors: Becoming American In The Age Of Revolution, By Nathan Perl-Rosenthal

Citizen Sailors: Becoming American in the Age of Revolution, by Nathan Perl-Rosenthal

Citizen Sailors: Becoming American in the Age of Revolution, by Nathan Perl-Rosenthal



Citizen Sailors: Becoming American in the Age of Revolution, by Nathan Perl-Rosenthal

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In the decades after the United States formally declared its independence in 1776, Americans struggled to gain recognition of their new republic and their rights as citizens. None had to fight harder than the nation’s seamen, whose labor took them far from home and deep into the Atlantic world. Citizen Sailors tells the story of how their efforts to become American at sea in the midst of war and revolution created the first national, racially inclusive model of United States citizenship.

Nathan Perl-Rosenthal immerses us in sailors’ pursuit of safe passage through the ocean world during the turbulent age of revolution. Challenged by British press-gangs and French privateersmen, who considered them Britons and rejected their citizenship claims, American seamen demanded that the U.S. government take action to protect them. In response, federal leaders created a system of national identification documents for sailors and issued them to tens of thousands of mariners of all races―nearly a century before such credentials came into wider use.

Citizenship for American sailors was strikingly ahead of its time: it marked the federal government’s most extensive foray into defining the boundaries of national belonging until the Civil War era, and the government’s most explicit recognition of black Americans’ equal membership as well. This remarkable system succeeded in safeguarding seafarers, but it fell victim to rising racism and nativism after 1815. Not until the twentieth century would the United States again embrace such an inclusive vision of American nationhood.

Citizen Sailors: Becoming American in the Age of Revolution, by Nathan Perl-Rosenthal

  • Amazon Sales Rank: #328360 in Books
  • Published on: 2015-10-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.10" w x 5.80" l, .0 pounds
  • Binding: Hardcover
  • 384 pages
Citizen Sailors: Becoming American in the Age of Revolution, by Nathan Perl-Rosenthal

Review "By skillfully coaxing narratives out of previously unorganized troves of documents, Mr. Perl-Rosenthal lets us see that the Custom House certificates "offered a glimmer of a far more inclusive model of the American nation than existed in any other official quarter." He also ably describes the complicated national identities of sailors and the human suffering of Americans wrongfully impressed." - Wall Street JournalCitizen Sailors is the first book to explore how sailors were crucial to definitions of U.S. citizenship during and after the War for Independence because of their central role in national politics and because of the peculiar problems in ascertaining their nationality. Engagingly written and marshaling terrific new evidence, this important book will alter our understanding of the American Revolution, the Atlantic world, and the dynamics of national identity. (Joyce E. Chaplin, author of Round about the Earth: Circumnavigation from Magellan to Orbit)With erudition and eloquence, Citizen Sailors tells the remarkable story of the federal government’s efforts to protect the welfare of seafaring Americans, doing so without regard to region, class or, surprisingly, race. Showcasing maritime history at its best, the result is a tour de force that will appeal to general readers and specialists alike. (Eliga Gould, author of Among the Powers of the Earth: The American Revolution and the Making of a New World Empire)Citizen Sailors is a useful reminder that Revolutionary America was more inclusive than the republic would become in the 19th century and than some might wish to make it today. By skillfully coaxing narratives out of previously unorganized troves of documents, Perl-Rosenthal lets us see that the Custom House certificates ‘offered a glimmer of a far more inclusive model of the American nation than existed in any other official quarter.’ He also ably describes the complicated national identities of sailors and the human suffering of Americans wrongfully impressed. (Mark Spencer Wall Street Journal 2015-10-25)

About the Author Nathan Perl-Rosenthal is Assistant Professor of Early American and Atlantic History at the University of Southern California.


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0 of 0 people found the following review helpful. Sailors define American citizenship By Will This book investigates a little known piece of the War of American Independence. Extremely well researched and written. Anyone with an interest in the Revolutionary War will find this book full of unusual and informative history.

0 of 1 people found the following review helpful. Five Stars By H. T. Price A great read about the origins of how Americans became Americans!

0 of 2 people found the following review helpful. Five Stars By Linda T Great background for anyone interested in the war of 1812. A must read.

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Citizen Sailors: Becoming American in the Age of Revolution, by Nathan Perl-Rosenthal
Citizen Sailors: Becoming American in the Age of Revolution, by Nathan Perl-Rosenthal

Tudor Warship Mary Rose (Anatomy of the Ship), by Douglas McElvogue

Tudor Warship Mary Rose (Anatomy of the Ship), by Douglas McElvogue

Be the first to download this e-book Tudor Warship Mary Rose (Anatomy Of The Ship), By Douglas McElvogue and also let read by coating. It is very easy to review this publication Tudor Warship Mary Rose (Anatomy Of The Ship), By Douglas McElvogue because you don't require to bring this published Tudor Warship Mary Rose (Anatomy Of The Ship), By Douglas McElvogue anywhere. Your soft documents publication could be in our gadget or computer so you could delight in checking out everywhere and whenever if required. This is why lots varieties of people additionally check out the publications Tudor Warship Mary Rose (Anatomy Of The Ship), By Douglas McElvogue in soft fie by downloading guide. So, be among them that take all benefits of checking out the e-book Tudor Warship Mary Rose (Anatomy Of The Ship), By Douglas McElvogue by online or on your soft documents system.

Tudor Warship Mary Rose (Anatomy of the Ship), by Douglas McElvogue

Tudor Warship Mary Rose (Anatomy of the Ship), by Douglas McElvogue



Tudor Warship Mary Rose (Anatomy of the Ship), by Douglas McElvogue

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A new selection in the Anatomy of the Ship series, Tudor Warship Mary Rose is a unique insight into the architecture and construction of the iconic ship of the Tudor period. This comprehensive reference includes over 200 scale drawings detailing every part of the ship's interior and exterior from heel to masthead. As with other books in the series, Tudor Warship Mary Rose is a radical departure from the usual monograph approach, instead providing conventional ship plans as well as explanatory perspective views with fully descriptive keys.In addition to describing the ship's structure and anatomy, McElvogue also utilizes archaeology to trace the development and career of Henry VIII's famous warship while placing it in the context of wider developments in shipbuilding. This book will surely appeal to model makers, historians, archaeologists, and enthusiasts alike.

Tudor Warship Mary Rose (Anatomy of the Ship), by Douglas McElvogue

  • Amazon Sales Rank: #980164 in Books
  • Brand: Mcelvogue, Doug
  • Published on: 2015-10-15
  • Released on: 2015-10-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.90" h x .50" w x 9.30" l, .0 pounds
  • Binding: Paperback
  • 160 pages
Tudor Warship Mary Rose (Anatomy of the Ship), by Douglas McElvogue

Review Containing more interpretation of the hull and working of the ship than any publication to date, this book includes a huge mount of very detailed historical, iconographic and archaeological information. The author has interpreted the recovered structure to make it fit the Mary Rose illustrated by Anthony Anthony in 1546. The numerous scale drawings are augmented by technical illustrations with a descriptive index and explanatory views. The number of concepts covered in detail is impressive; all aspects of the ship and how she worked and fought are included, together with a history of the ship and description of life on board. For anyone interested in how the Mary Rose worked, it is a must Alexzandra Hildred, Archaeologist and Curator of Ordnance at The Mary Rose Trust Tudor Warship Mary Rose is a unique insight into the architecture and construction of the iconic ship of the Tudor period Quarterdeck Tudor Warship Mary Rose provides valuable graphical representation of Mary Rose. Technical plans are supported with copies of paintings and artefacts as well as explanatory views. Trinity House Flash magazine

About the Author Douglas McElvogue was a senior research fellow at the Mary Rose Trust and specializes in maritime archaeological reconstructions.


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2 of 2 people found the following review helpful. The Anatomy of the Ship Series Is Dead! Long Live the Anatomy of the Ship Series! By Daryl Carpenter "Anatomy of the Ship" has long been one of my favorite book series, and I was quite pleasantly surprised to learn that the first new "Anatomy" in ten years was in the works. This book was originally intended for publication in 2008, but something must have fallen by the wayside. I was awfully disappointed in the "Bismarck" and "Constitution" anatomies, and was hoping that this book might breathe some new life into the series.How is it? I'd say "pretty good" on the whole. It's not as extraordinarily detailed as some of the better "Anatomies," but it's a step above many of the weaker ones. The inside of the front and back covers are put to good use, presenting fold-out interior and exterior profiles of the hull, and two very nice paintings by Geoff Hunt. The biggest formatting change is the consolidation of the Introduction and Photographs chapters, reducing the amount of cross-referencing required compared with the other anatomies. "The Tudor Warship Mary Rose" contains a great deal more photographs and period artworks of the ship than earlier anatomies, including a large number of photographs of artifacts recovered from the wreck. The quality of the drawings ranges from exceptional to decent. The section on hull construction is probably the most detailed, right down to exploded views of gunport construction, cross-sections of a summercastle knighthead, and structural plans of each deck. Throughout the book are other examples of close-up details, including the lacing of bonnets to the mainsails, the rigging of the masthead of the ship's boat, and three-view drawings of nine types of rigging blocks. The final chapter even includes a set of plans depicting the remains of the ship as currently seen on display in Portsmouth, England.As exciting as it may be to finally have a brand new "Anatomy," some of the plans are rather bleak looking and lack drawing keys. The plans of the standing and running rigging are probably this book's low point, consisting entirely of three unlabeled 1/192 scale profile views of the ship. The drawings of the ship's guns are very nicely done, but again, not a single one is labeled. I know that any seasoned maritime enthusiast should be able to identify parts of a ship's guns and rigging without any hand-holding, but I can't figure out why so many plans in this book are either completely unlabeled, or rather sparsely so.Although some of the omissions are rather frustrating, I'm happy to see one more book in this series. Doug McElvogue is the former Senior Research Fellow & Archaeologist of the Mary Rose Trust, so I'd imagine that these plans constitute an exceptionally accurate rendition of how the ship appeared in 1545. In fairness, I wish I could give this book 3 1/2 stars. As an "Anatomy," this is somewhat of a middle tier title. However, there's enough interesting supporting material here to bump up my rating from three to four stars.

0 of 1 people found the following review helpful. Five Stars By Pete Bergagnini Must have

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Tudor Warship Mary Rose (Anatomy of the Ship), by Douglas McElvogue
Tudor Warship Mary Rose (Anatomy of the Ship), by Douglas McElvogue

Rabu, 16 Februari 2011

McKettricks of Texas: Austin, by Linda Lael Miller

McKettricks of Texas: Austin, by Linda Lael Miller

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McKettricks of Texas: Austin, by Linda Lael Miller

McKettricks of Texas: Austin, by Linda Lael Miller



McKettricks of Texas: Austin, by Linda Lael Miller

Ebook PDF McKettricks of Texas: Austin, by Linda Lael Miller

#1 New York Times bestseller Linda Lael Miller brings you the next installment in her unforgettable McKettricks of Texas series. The three McKettrick brothers meet their matches in the three Remington sisters, and now it's Austin's turn… 

World champion rodeo star Austin McKettrick finally got bested by an angry bull. With his career over and his love life a mess, the lone maverick has nowhere to go when the hospital releases him…except back home to Blue River and the Silver Spur ranch. But his overachieving brothers won't allow this cowboy to brood in peace. They've even hired a nurse to speed his recovery. Paige Remington's bossy brand of TLC is driving him crazy. Not to mention her beautiful face, sexy figure and silky black hair. 

Paige has lost count of the number of times Austin has tried to fire her. She's not going anywhere till he's healed—body and heart.

McKettricks of Texas: Austin, by Linda Lael Miller

  • Amazon Sales Rank: #323847 in Books
  • Brand: Miller
  • Published on: 2015-03-31
  • Released on: 2015-03-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.61" h x 1.00" w x 4.21" l, 1.20 pounds
  • Binding: Mass Market Paperback
  • 384 pages
McKettricks of Texas: Austin, by Linda Lael Miller

Review "Linda Lael Miller creates vibrant characters and stories I defy you to forget."-#1 New York Times bestselling author Debbie Macomber"Miller has created unforgettable characters and woven a many-faceted yet coherent and lovingly told tale." –Booklist on McKettrick's Choice"Miller's name is synonymous with the finest in western romance." -RT Book Reviews"Full of equal parts heart and heartache, Miller's newest western is sure to tug at the heartstrings from the first charming scene to the last." -RT Book Reviews on Big Sky Summer"Miller's down-home, easy-to-read style keeps the plot moving, and she includes...likable characters, picturesque descriptions and some very sweet pets." -Publishers Weekly on Big Sky Country"A delightful addition to Miller's Big Sky series. This author has a way with a phrase that is nigh-on poetic...this story [is] especially entertaining." -RT Book Reviews on Big Sky Mountain"A passionate love too long denied drives the action in this multifaceted, emotionally rich reunion story that overflows with breathtaking sexual chemistry." -Library Journal on McKettricks of Texas: Tate"Miller's prose is smart, and her tough Eastwoodian cowboy cuts a sharp, unexpectedly funny figure in a classroom full of rambunctious frontier kids." -Publishers Weekly on The Man from Stone Creek"Miller's return to Parable is a charming story of love in its many forms. The hero's struggles are handled in an informed and heartwarming way, and it's easy to empathize with the heroine's desire to start an independent, new life in this sweetly entertaining and alluring tale." -RT Book Reviews on Big Sky River"Miller's third Stone Creek novel gets as hot as the noontime desert. Miller's portrayal of Sarah as a strong, independent woman sets this novel apart from customary tales of the damsel in distress and the rescuing hero...Well-developed, personable characters and a handful of loose ends will leave readers anticipating future installments." --Publishers Weekly on The Rustler

About the Author

The daughter of a town marshal, Linda Lael Miller is the author of more than 100 historical and contemporary novels. Now living in Spokane, Washington, the “First Lady of the West” hit a career high when all three of her 2011 Creed Cowboy books debuted at #1 on the New York Times list. In 2007, the Romance Writers of America presented her their Lifetime Achievement Award. She personally funds her Linda Lael Miller Scholarships for Women. Visit her at www.lindalaelmiller.com.

Excerpt. © Reprinted by permission. All rights reserved. Blue River, Texas NovemberThe evil brides were gaining on her, closing the gap.Paige Remington ran blindly down a dark country road, legs pumping, lungs burning, her heart flailing in her throat. Slender tree branches plucked at her from either side with nimble, spidery fingers, slowing her down, and the ground turned soft under her feet.She pitched forward onto her hands and knees. Felt pebbles dig into her palms.Behind her, the brides screeched and cackled in delighted triumph."This is only a dream," Paige told herself. "Wake up."Still, sleep did not release her.Flurries of silk and lace, glittering with tiny rhinestones and lustrous with the glow of seed pearls, swirled around her. She felt surrounded, almost smothered.Suddenly furious, the dream-Paige surged to her feet.If the monsters wanted a fight, then by God, she'd give it to them.Confronting her pursuers now, staring directly at them, Paige recognized the brides. They were—and at the same time, in that curious way of dreams, were not— her sisters, Libby and Julie.Wedding veils hid their faces, but she knew them anyway. Libby wore a luscious vintage gown of shimmering ivory, while Julie's dress was ultramodern, a little something she'd picked up on a recent romantic getaway to Paris."We just want you to try on your bridesmaid's dress," the pair said in creepy unison. "That's all.""No," Paige said. "I'm not trying on the damn dress. Leave me alone."They advanced on her. Garment bags had materialized in their arms."But you're our only bridesmaid," the two chorused."No!" Paige repeated, trying to retreat but stuck fast.It was then that a voice penetrated the thick surface of the dream. "Hey," the voice said, low and male and disturbingly familiar. "You okay?"She felt a hand on her shoulder and woke up with a jolt.And a faceful of Austin McKettrick."It just keeps getting worse," she marveled, gripping the arms of the poolside chair where she'd fallen asleep after a solitary lunch in the ranch-house kitchen.Austin laughed, drew up a chair himself and eased into it with the care of a man much older than his twenty-eight years. His beard was coming in, buttery-brown, and his hair looked a little shaggy.It ought to require a license, being that good-looking."Gee," he drawled. "Thanks."It galled Paige that after all this time, he could still make her heart flutter. "What are you doing here?" she demanded.Austin settled back, popping the top on a beer can, letting her know he meant to take his sweet time answering. A scruffy-looking dog meandered in and settled at his booted feet with a little huff of contented resignation."I reckon if anybody's going to demand explanations around here," Austin said at long last, "it ought to be me. I live here, Paige."She'd set herself up for that one. Even seen it coming. And she'd been unable to get out of the way.Paige drew a deep breath, released it slowly. "I've been staying in the guest suite for a couple of days," she said after a few moments. "The lease was up on my apartment and the renovations on our old house aren't quite finished, so—"Austin's eyes were a lethal shade of blue—"heirloom" blue, as Paige thought of it, a mixture of new denim and summer sky and every hue in between. According to local legend, the McKettricks had been passing that eye color down for generations.He studied her for a long time before speaking again. Set the beer aside without taking a sip. "My brothers," he said, "are marrying your sisters."Paige sighed. "So I've heard," she said.Austin ignored the slightly snippy response, went on as if she hadn't said anything. "That means," he told her, "that you and I are going to have to learn to be civil to each other. In spite of our history."Paige recalled some of that history—youthful, frenzied lovemaking upstairs in Austin's boyhood bedroom, the two of them dancing under the stars to music spilling from the radio in his relic of a truck.And the fights. She closed her eyes, remembering the fights, and her cheeks burned pink."Paige?"She glared at him."Is it a deal?" he asked quietly."Is what a deal?" she snapped.Austin sighed, shoved a hand through his hair. He looked thinner than the last time she'd seen him, and shadows moved behind the light in his eyes. If she hadn't known better, she would have thought he was in pain—maybe physical, maybe emotional. Maybe both.He leaned toward her, spoke very slowly and very clearly, as though addressing a foreigner with language challenges. "Whether we like it or not, we're going to be kin, you and me, once New Year's rolls around. My guess is, my brothers and your sisters will still be married at the crack of doom. There'll be a whole lot of Christmases and Thanksgivings and birthday parties to get through, over the years. All of which means—""I know what it means," Paige broke in. "And what's with the condescending tone of voice?"Austin raised both eyebrows. A grin quirked at one corner of his mouth but never quite kicked in. "What's with the bitchy attitude?" he countered. Then he snapped the fingers of his right hand. "Oh, that's right. It's just your normal personality."Paige rode out another surge of irritation. Much as she hated to admit it, Austin had a point.Libby was marrying Tate. Julie was marrying Garrett. Tate's twins, Audrey and Ava, were already part of the family, of course, and so was Julie's little boy, Calvin. And both couples wanted more kids, right away. Oh, yes, there would be a lot of birthday parties to attend."Could we try this again?" Paige asked, trying to sound unruffled.Austin tented his fingers under his chin and watched her with an expression of solemn merriment that was all his own. "Sure," he replied, all fake generosity and ironic goodwill. "Go ahead and say something friendly—you can do it. Just pretend I'm a human being."Paige looked away, and a deep and inexplicable sadness swept over her. "We're never going to get anywhere at this rate," she said.Time seemed to freeze for an instant, then grind into motion again, gears catching on rusty gears.And then Austin leaned forward, took a light grip on her hand, ran the pad of his thumb over her knuckles.A hot shiver went through her; he might have been touching her in all those secret, intimate places no one else had found."You're right," Austin said, his tone husky. "We're not. Let's give it a shot, Paige—getting along, I mean."He looked sincere. He sounded sincere.Watch out, Paige reminded herself silently. "Okay," she said with dignity.Another silence followed. Paige, for her part, was trying to imagine what a truce between herself and Austin would actually look like. After all, they'd been at odds since that summer night, soon after they'd both graduated from high school, when Paige had caught the lying, sneaking, no-good bastard—She drew another deep breath, mentally untangled herself from the past. As best she could.They'd gotten together by accident, in the beginning— Tate and Libby were going to a movie one Friday night, and, grudgingly, Tate had brought his younger brother along. Paige had gotten the impression that their parents had insisted, and if Tate had refused, it would have been a deal breaker.Paige had been curled up in an armchair reading a book when Austin turned that fabled charm on her, grinned and asked if she'd like to go to a movie.After that, she and Austin had been as inseparable as Libby and Tate.Paige had thought he was playing some game at first, but after a few months, they were a couple. After a year, Paige was on the pill, and they were making love.Yes, she'd been in love with Austin. She'd lost—okay, given—her virginity to him, along with her trust and, of course, her heart.Ultimately, he'd betrayed her.But all that had happened just over ten years ago, before his folks, Jim and Sally McKettrick, were killed in that awful car accident, before her own dad had died of cancer. So very much had happened in the interim and, well, Paige was tired of holding a grudge."You were having a bad dream before?" Austin asked presently."Huh?" Paige said."When I woke you up a little while ago?""Yes," she answered, smiling a little. "Thanks for that."He grinned, making the pit of her stomach quiver for a moment, then reached for his can of beer. Raised it slightly in an offhand toast. "Anytime," he said.The dog whimpered, chasing something in his sleep. Or running away from something."Shep," Austin said, nudging the animal gently with the toe of one boot. "Easy, now. You're all right."Paige looked down at Shep. "A stray?"Austin grinned again. This time, there was no smartass edge to his tone. "What gave him away? The matted coat? The dirt, maybe?""The poor thing could use a bath," Paige admitted. She'd always had a soft spot for animals—especially the abused, neglected and unwanted ones."Garrett promised to hose him down before supper," Austin said. The way he spoke, it was no big deal.Paige met his gaze, puzzled and not a little annoyed. "Supper's a ways off," she pointed out."He'll keep," Austin told her. "Won't you, Shep?"Paige glanced at her watch. She still had more than an hour before she was due to pick Calvin up in town, at day care. Although she was a nurse by profession, she was between jobs at the moment, as well as between homes. Since Julie was practically meeting herself coming and going these days, between getting ready for the big wedding, holding down her teaching job at the high school and directing the student musical production, Paige had been looking after her nephew a lot lately.Since she adored Calvin, it was no hardship.She stood. "I'll do it," she said."Do what?" Austin asked."Bathe the dog," Paige answered, proud of herself for not adding, since you can't be bothered to do the job yourself."I told you," Austin said, frowning. "Garrett will take care of Shep when he gets home.""No sense in putting it off," Paige said, feeling sorry for the critter.Shep hauled himself to his feet, watching her with a combination of wariness and hope. His tail swished tentatively to one side, then the other.And Paige's heart warmed and softened, like so much beeswax.She crouched, looked straight into the dog's limpid brown eyes."I wouldn't hurt you," she said very gently. "Not for the world."Shep wagged again, this time with more trust, more spirit."Paige," Austin interjected cautiously, "he's sort of wild and he probably hasn't had his shots—"Paige put out a hand, let Shep sniff her fingers and palm and wrist.She felt something akin to exultation when he didn't retreat. "Nonsense," she said. "He's a sweetheart. Aren't you, Shep?"She straightened, saw that Austin was standing, too. If it hadn't been for the dog, the man would practically have been on top of her. So to speak.Heat pulsed in her cheeks.Something mischievous and far too knowing danced in Austin's eyes. He folded his arms and tilted his head to one side, watching her. She had no clue what he was thinking, and that was even more unsettling.In order to break the spell, Paige turned and headed for the main part of the house, moving resolutely.She felt a little zing of triumph when she glanced back and saw the dog hesitate, then fall into step behind her.Austin couldn't really blame the dog for trailing after Paige—watching that perfect blue-jeaned backside of hers as she walked away left him with little choice but to do likewise. Still, it stung his pride that Shep hadn't waited for him.Whose dog was he, anyhow?Paige's apparently. She led the way, like some piper in a fairy tale, with Shep padding right along in her wake, and that was how the three of them ended up in the laundry room, off the kitchen.Paige knew her way around—she rustled up some old towels and the special mutt shampoo Julie kept around for Harry—and started the water running in one of the big sinks. She spooled out the hand-sprayer and pressed the squirter with a practiced thumb, testing the temperature against the underside of her left wrist.The sight, ordinary as it was, did something peculiar to Austin."Well," Paige said, dropping her gaze to the dog and then letting it fly back to Austin's face, "don't just stand there. Hoist Shep up into the sink so I can wash him." She smiled at Shep. "You're going to feel so much better, once you've had your bath," she assured the critter.Austin had his pride. He wasn't about to tell this woman that he'd blown out his back and couldn't risk lifting one skinny dog off the floor because he might wind up in traction or something.He leaned down and carefully looped his arms under Shep's belly. Set him gently in the laundry sink.Paige introduced Shep to the sprayer with a few little blasts of warm water, and gave him time to sort out how he felt about the experience.Austin, meanwhile, was just about to congratulate himself on getting away with lifting the dog when he felt a stabbing ache in the same part of his back as when he'd had to be half carried out of Pinky's bar last month. He drew in a sharp breath and grasped the edge of the long counter, where the housekeeper, Esperanza, usually folded sheets and towels.Steady, he thought. Wait it out.Paige, preoccupied with sluicing down the dog and apparently oblivious to the way the water was soaking the front of her skimpy T-shirt, paid Austin no attention at all. And that was fine by him, mostly.The spasm in Austin's back intensified, a giant char-ley horse that he couldn't walk off like one in his calf or the arch of his foot. He bit down hard on his lower lip and shut his eyes."Austin?" Paige's voice had changed. It was soft, worried-sounding. "Is something wrong? You're sort of pale and—"Austin shook his head. The spasm was beginning to subside, though it still hurt like holy-be-Jesus, but talking was beyond him.He wouldn't risk meeting her gaze. Back when they were just kids and hot and heavy into dating, Paige had shown a disturbing ability to read his mind—not to mention his soul—through his eyes.Not that she'd been infallible in that regard.Or maybe, when it really counted, she'd been too mad to look long enough, hard enough."I'm—fine," he finally said. The pain was letting up.Paige reached for the dog shampoo, squeezed a glistening trail of it down Shep's sodden back and began to suds him up."Excuse me," she said matter-of-factly, "but you don't look fine."Poor Shep looked up at him, all bedraggled and wet, but there was a patient expression in his eyes, a willingness to endure, that tightened Austin's throat to the point where he couldn't make a sound.Paige, a head shorter than he was, bent her knees and turned to peer up into his face. "Are you sick?"


McKettricks of Texas: Austin, by Linda Lael Miller

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17 of 18 people found the following review helpful. My favorite of the Texas McKettricks By Laura B This is the 3rd in the Texas McKettricks series. Austin is the youngest brother and his past with the youngest Remington, Paige, is finally catching up with him. Now that his brothers are marrying her sisters, they have to find a way to get along. The only problem is they both seem to be way too attracted to the other, but they know acting on it will be a problem since they will have to be around each other for holidays and other family get-together for the next fifty years.The other two books have been building up to this one. Paige and Austin have been mentioned repeatedly and it is obvious that they have some kind of history together. I liked the previous two books, but I've really been looking forward to this one. I was concerned that I might be disappointed, but gratefully, I was not. Of the three brothers, I loved Austin the most. Plus, Paige was the smartest of the three. Maybe it is because I am a youngest child like both of them, but both of their characters were more easily liked than any of the others.The story moved along at a good pace and I hated to put the book down when it was time for bed. The romance was a good build up and the story seemed plausible. I liked that the rustling storyline continued in this book, but it wasn't left hanging in the other books, so even had I not read this book, I would not have felt like I missed something.This was a good ending for the three brothers, but I would love to read more about Blue River. There is so much more to the town and it would be nice to get to know more of the residents--especially Chief Brent Brogan (aka Denzel).I recommend reading the first two books about Tate and Garrett before reading this one because it will enhance the story. I think the reader would still get into the story, but too many things are carried over from the previous two books.*I received this book from the publisher via netgalley to review*

5 of 5 people found the following review helpful. A great book to relax and have some fun By Katzenjammer123 A great book to sit down, relax and have a lot of fun.Rodeo star Austin McKettrick is only 28 but years of bull-riding took its toll on his body. A hurt back makes him stay with his two brothers at their ranch. It's the best place to get back on his feet but at the ranch he also has to deal with Paige Remington again.Ten years ago Paige and Austin were a couple and deeply in love. But he was afraid of settling down and broke her heart to get his freedom back. In the present her sisters are marrying Austin's brothers and he needs her help to get back on his feet. Both can't deny that there is still a lot between them but Paige is wary of trusting in Austin again.When dangerous and mysterious incidents happen at the McKettrick ranch and Austin is badly hurt, the relationship between them changes. Paige can't hold back anymore even though she doesn't know whether she can get over the past and her broken heart."McKettricks of Texas: Austin" (book 13 in the McKettricks series, but works great as a stand-alone) is the first book by Linda Lael Miller that I read but it definitely won't be the last one.The book is funny, sexy, lovely and just great to read. The story never gets boring and all of the main characters are likeable and interesting.Paige is a great heroine. She's a strong and very caring person. She loved Austin with all her heart and when he betrayed her she was devastated. That's why it's easy to understand that she has a hard time to trust him again.Austin is also an awesome character and I liked him a lot. He is sexy, stubborn and very charming. He has grown up a lot in the years since he broke up with Paige. He knows that what he did was wrong and that's why I hoped that he and Paige would get a second chance (of course they did).The mystery part of the book was interesting, not absurd or overly dramatic and not too dark. I also want to mention that I love the cover, a sexy cowboy is always a good choice!

3 of 3 people found the following review helpful. What happened? By Leyla I must say that I would have to agree with the other two star reviews. I was so excited and looking forward to reading the last book in this series only to be let down. I have read many books from Ms. Miller and I love her western romance books. However, this last series seemed rushed. I felt the same about all three books....how many times can we read about them feeding the dogs, and driving out of the garage? The plot was never really developed. Paige was hurt by Austin way back when they were teenagers when he cheated on her even though they were both in love. Now, 10 years later and the engagement of Paige's sisters to Austins brothers brings them back together. I felt that for all the hurt Austin caused her she sure was fast at forgiving him. Don't get me wrong...theres a reason why I love western romances...what with tall, lean cowboys, grins that make your knees buckle....but come on! Even a little bit of a backbone would have been nice.The ending killed me! This was the last book of the series and I felt like it just left me hanging. I wanted the ending developed more. I wanted more....way more, especially on that last page.I was tempted to give this book a higher rating, but if I did it would only be because I love LLM books and all the McKettricks. I hope we get another series where the story actually develops and the heroines make their alpha males suffer a bit before they give in.

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McKettricks of Texas: Austin, by Linda Lael Miller

Minggu, 13 Februari 2011

For Love of Country: What Our Veterans Can Teach Us About Citizenship, Heroism, and Sacrifice,

For Love of Country: What Our Veterans Can Teach Us About Citizenship, Heroism, and Sacrifice, by Howard Schultz, Rajiv Chandrasekaran

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For Love of Country: What Our Veterans Can Teach Us About Citizenship, Heroism, and Sacrifice, by Howard Schultz, Rajiv Chandrasekaran

For Love of Country: What Our Veterans Can Teach Us About Citizenship, Heroism, and Sacrifice, by Howard Schultz, Rajiv Chandrasekaran



For Love of Country: What Our Veterans Can Teach Us About Citizenship, Heroism, and Sacrifice, by Howard Schultz, Rajiv Chandrasekaran

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A celebration of the extraordinary courage, dedication, and sacrifice of this generation of American veterans on the battlefield and their equally valuable contributions on the home front.   Starbucks CEO Howard Schultz and National Book Award nominee Rajiv Chandrasekaran honor acts of uncommon valor in Iraq and Afghanistan, including an army sergeant who runs into a hail of gunfire to protect his comrades; two marines who chose to stand and defend their outpost from an oncoming truck bomb; and a sixty-year-old doctor who joined the navy after his son was killed at war, saving dozens of lives during his service. We also see how veterans turn their leadership skills into community-building initiatives once they return home: former soldiers who aid residents in rebuilding after natural disasters; an infantry officer who trades in a Pentagon job to teach in an inner-city neighborhood; the spouse of a severely injured soldier assisting families in similar positions. These powerful, unforgettable stories demonstrate just how indebted we are to those who protect us and what they have to offer our nation when their military service is over.

For Love of Country: What Our Veterans Can Teach Us About Citizenship, Heroism, and Sacrifice, by Howard Schultz, Rajiv Chandrasekaran

  • Amazon Sales Rank: #22067 in Books
  • Published on: 2015-10-27
  • Released on: 2015-10-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .70" w x 5.10" l, .0 pounds
  • Binding: Paperback
  • 224 pages
For Love of Country: What Our Veterans Can Teach Us About Citizenship, Heroism, and Sacrifice, by Howard Schultz, Rajiv Chandrasekaran

Review “These stories leave the reader with a profound sense of [our troops’] selfless sacrifice and, sadly, a profound sense of the gulf that separates the ethos of the military from the contemporary currents of American life….Schultz and Chandrasekaran never suggest that war is good. But the stories they tell are a welcome reminder of what soldiers have always known: that out of difficulty and trauma come a sense of spiritual self-worth and a dedication to the service of others.”             —Maj. Gen. Robert H. Scales, The Wall Street Journal“Full, vibrant profiles of men and women forever marked by war, who continue to endure and transform both themselves and their communities.”            —The Washington Post“Harrowing and heroic stories of war and coming home.”            —Maureen Dowd, The New York Times“Schultz and Chandrasekaran couldn’t be more on point…For Love of Country is important reading.”            —The Huffington Post“[Schultz and Chandrasekaran] are on target in calling for a societal salute to America’s new generation of veterans.”            —St. Louis Post-Dispatch “Howard Schultz and Rajiv Chandrasekaran have…allowed readers everywhere an up close look at what our country’s war heroes and veterans do for us. The scenes to which we’re made privy are at times heartbreaking, inspiring—or both.”            —Everyday eBook“Filled with inspiring narratives.”            —Library Journal“Inspiring….will certainly move readers who have served in the military, as well as…fans of military histories and those who have close contact with the courageous soldiers who put their lives on the line.”            —Kirkus“This splendid book should be read by every American. It is a story of heroes, of sacrifice, of valor. But it is also a story of resilience, recovery, and a continuing desire to serve our country and its citizens. You must be made of stone to read this and not shed tears. But the book’s message is that, after the tears, we must not forget the sacrifices those in uniform and their families have made for all of us over the last thirteen years; we must welcome back into our communities those who served not just with thanks and open arms, but with respect, admiration, and new lives and careers worthy of all they have done for all of us.”            —Robert M. Gates, author of Duty“A truly inspirational, uplifting book, one that will fill you with pride in America’s new Greatest Generation in war and in peace.”              —General David H. Petraeus, U.S. Army, Retired

About the Author

Howard Schultz is chairman and chief executive officer of Starbucks, where he has been recognized for his leadership, business ethics, and efforts to strengthen communities. He and his wife, Sheri, have pledged extensive support to help veterans make successful transitions to civilian life through the Schultz Family Foundation’s Onward Veterans initiative. Schultz is the best-selling author of Onward: How Starbucks Fought for Its Life Without Losing Its Soul and Pour Your Heart Into It.   Rajiv Chandrasekaran is a senior correspondent and associate editor at The Washington Post, where he has worked since 1994. He has been the newspaper’s bureau chief in Baghdad, Cairo, and Southeast Asia, and he has been covering Afghanistan off and on for a decade. Chandrasekaran is the author of Little America and Imperial Life in the Emerald City, which was named one of the 10 Best Books of 2007 by The New York Times.Forloveofcountrybook.com

Excerpt. © Reprinted by permission. All rights reserved. Chapter Seven Team Rubicon   On April 27, 2014, Jeff Hunter had spent his entire workday at Fred’s Super Dollar, in Vilonia, Arkansas, racked by apprehension. The weather forecast called for severe springtime storms, and there was nothing he disliked more than thunder and lightning. Two weeks earlier, the twenty-two-year-old had posted a video clip on the Internet about his weather fears, which had plagued him since he was a toddler. “I hate all the noise,” he said. “I hate the flashes of light.”   By the time his shift at Fred’s ended late that afternoon, his pulse had returned to normal. There wasn’t a storm cloud in the sky. Instead of heading to his apartment, he drove to his father’s house to pick up a few boxes of childhood possessions that he had promised to clear out of the attic. After he loaded them in his car, his stepmother, Vicki, invited him to stay for a lasagna dinner. As soon as they had finished, Jeff’s mobile phone buzzed with a text alert: “The National Weather Service has issued a TORNADO WARNING for Faulkner County.” They were sitting in Faulkner County.   He and his father, Tim, looked outside and saw that the sky had turned ominous. On the television, a red-splotched radar map filled the screen. Jeff and his family didn’t need the weatherman to tell them to get to safety—it sounded as if a jet were taking off on their lawn. The three of them rushed into an interior bathroom. Jeff and Vicki cowered inside the tub. Tim knelt next to them. While his dad and stepmom prayed, Jeff pulled out his phone and posted a message on Facebook: “Multi vortex tornado!!!!! Get to safety!!!”   Then he tapped out a text message. “Mama I’m so scared.”   “I love you Jeff,” his mother wrote back from her home twenty miles away. “You will make it.”   “It’s heading right for me.”   Before she could respond, he sent another text.   “I love you mama . . .”   Seconds later, a quarter-mile-wide EF4 tornado touched down on Clover Ridge Drive, the street where Jeff’s father lived, ripping the house apart and tearing into the bathroom. It sucked Jeff from the tub and into a ferocious funnel cloud. Neighbors found Jeff’s body on the street later that evening, buried under fragments of the house and the family’s possessions. Both Tim and Vicki were seriously injured, but they survived. “I have no idea how,” Tim said.   As he recovered in a local hospital and grieved for Jeff, Tim worried about his house. His brother, Anthony Hunter, broke the news that it was beyond repair. Every home on Tim’s side of Clover Ridge Drive had been destroyed by the tornado. Roofs were gone and windows shattered. Two-by-fours had been snapped in half as if they were matchsticks. Family photographs and heirlooms were scattered everywhere. Residents, friends, and family would have to sort through the rubble to recover whatever could be salvaged. Then the owners would have to call a demolition crew. Everything—the bricks, the floor tiles, the drywall, the appliances, the waterlogged furniture—would have to be hauled away.   Tim was certain the demolition firms would be charging top dollar, as they always did after big storms, and he feared the cost would deplete the insurance funds he would need to rebuild his house. He knew of others in Vilonia who had used so much of their insurance payouts to clear their lots after a tornado three years earlier that they were unable to afford new homes.   Anthony returned to the house the next day, driving through a tableau of postapocalyptic devastation. National Guard troops offered to help look for family keepsakes, but they couldn’t dis- mantle the structure. As Anthony prepared to search for a wrecking crew to hire, two men pulled up in a black Ford pickup truck. Clad in matching gray T-shirts identifying them as members of Team Rubicon, they walked around the property, their boots crunching shards of glass. One took notes on a clipboard, while the other tapped on a tablet computer and took a few photographs.   They offered to demolish what remained of the house and haul the debris to the curb so it could be collected by municipal workers, for free.   “Who are you guys?” Anthony asked.   “We’re veterans,” one said. “We’re here to help.”     The morning after the tornado, Team Rubicon began mobilizing as an Army battalion might. Two scouts arrived within a day, while first responders were still searching for victims and National Guard forces were just reaching the area. The Rubicon reconnaissance team quickly determined that local authorities were capable of handling the immediate rescue effort, but the community would need assistance with everything else: fastening plastic tarpaulins over damaged roofs, chopping up fallen trees, and hauling away the detritus of the storm. Scores of families like the Hunters required several sets of hands but lacked the money to hire private cleanup crews.   Then came the advance party. Over the following three days, several more Rubicon staffers and volunteer organizers descended on the area to pitch camp, unpack computers and chain saws, coordinate the arrival of rank-and-file volunteers, and introduce them- selves to local officials. Meanwhile, an assessment team drove out to talk to residents and compile work orders that would be given to Rubicon’s foot soldiers.   Five days after the storm, Team Rubicon’s two dozen volunteers were ready to go. They began the morning by hoisting an American flag and reciting the Pledge of Allegiance in the sunbaked parking lot of a Home Depot, where they had established their field head- quarters. Many had thrown sleeping bags in their cars and driven from as far as three hundred miles away. Some were college students who had decided to skip a week of classes to help. Others were self- employed or unemployed. A few had taken vacation time off from their jobs. One enterprising woman from Oklahoma City had persuaded her boss to handle her absence the same way the firm would treat an employee’s National Guard deployment—with full pay.   Joseph D’Amico, a burly former Marine turned entrepreneur, had been driving from Texas to his home in Connecticut with his fiancée, Pam Izzo, when he heard that Rubicon was responding to the tornado. He quickly diverted his Audi. He had served on a Rubicon tornado relief team a year earlier in Oklahoma and wanted to show Pam, a nurse, what it was all about. A few hours after they arrived in Arkansas, Pam had changed into a Rubicon shirt and was hauling tree branches.   Everybody on Team Rubicon was a veteran, except for Pam. Three had fought in Vietnam. The rest, all in their twenties and thirties, had served in Iraq or Afghanistan, or both. After spending years in the military taking orders, all of them had earned the right to kick back and let others do the hard work during moments of national crisis. But, motivated by television footage of the tornado’s aftermath, they wanted to help. When Rubicon told its members about the opportunity to lend a hand in Arkansas, the organization restricted sign-ups to those living within two hundred miles of the storm site, to limit long drives and avoid expensive reimbursements for gasoline. The circle on the map excluded several members living in Texas and Oklahoma who were eager to participate. They received dispensation to come, if they agreed to carpool to save on gas money.   Although they didn’t wear camouflage or carry weapons, Rubicon members ran the assistance effort with the same organization, expedition, and nomenclature as a military mission. Their head- quarters was called the FOB—forward operating base. The command staff divided their functions as a battalion staff would, into operations, planning, communications, medical, and logistics. There was a morning brief, after which the group ate whatever chow was provided—often fried-chicken sandwiches from Chick-fil-A. They wore identical gray T-shirts, each emblazoned with their name, and divided themselves into teams named Alpha, Bravo, and Charlie, to fulfill work orders issued by the mission’s commander. Before they departed from the parking lot each day, they checked out equipment from neatly organized toolsheds, cleaning and testing their chain saws as they once did M16s. At night, they slept on Army-issue cots in a warehouse. Their endeavor even had a name: Operation Rising Eagle.   On the seventh morning after the tornado, once the flag raising and fried-chicken breakfast were finished, the incident commander, Chad Reynolds, told the volunteers that the headquarters had a large pile of outstanding work requests. “We’re behind the eight ball,” he said. “Let’s get out there and get stuff done.”   Before they left, the group received a weather report—another hot, sunny day—and a warning from the health officer. “Be careful of snakes, scorpions, chiggers, and meth labs.”   The Alpha team packed its pickup under the exacting eye of its leader, Randi Gavell, a petite former Army military police staff sergeant, who enforced the same standards she applied in Iraq, when her platoon’s Humvees were loaded with ammunition and ready-to-eat meals. Two ladders, two chain saws, two axes. A sledgehammer and shovel for everyone. Every implement was assembled neatly in the truck bed.   They drove for twenty minutes, sitting as they would if in the Army—the junior guy behind the wheel, Gavell in the front passenger seat, and the others on the rear bench—before turning onto Clover Ridge Drive. Because every house on the block had been eviscerated and every mailbox uprooted, Gavell and the five other veterans on her team had to count their way to the eighth dwelling on the right, number 16. This was the Hunters’ home.   As Gavell’s team huddled on the driveway, tools in hand, she informed them that their work site was a DBS—death by storm—house. Her information was jumbled, as can often happen in the chaotic days after a disaster. She told them a six-year-old boy had been killed in the home. She didn’t know—nor did anyone else at Rubicon—that Tim Hunter worked for the Arkansas National Guard. Even if they had, it wouldn’t have mattered. Although Rubicon volunteers take particular pleasure in aiding fellow veterans, they triage work orders based on need, not military service.   “Yeah, it’s hot and muggy and dirty, and it’s hard work,” Gavell told her crew. “But if you see a brick on the ground, remember that brick could have seen a child’s first steps, it saw family dinners and first dates and birthdays. It saw their lives. This was their everything.” Gavell urged her team to take a break if the work got too taxing or emotionally overwhelming. “You’re humans. You have souls. It’s going to be hard,” she said.   The two burliest guys, Cody Wright and Tyler Bacon, both members of the Arkansas National Guard whose units had not been activated for storm response, swung sledgehammers at the remnants of the kitchen and master bathroom. Gavell tucked her dirty-blond hair under a white hard hat that carried a bumper sticker declaring, “Women who behave rarely make history,” and began prying apart wooden cabinets with a crowbar. Others used shovels, wheelbarrows, and their gloved hands to deposit the debris in giant piles along the street, next to a red Ford Contour that had been tossed into the front yard as a child might discard a Matchbox car.   If they spotted an item that appeared to be irreplaceable—a ribbon from a sports contest, an old photograph, a piece of needle-point—it was put aside. But everything else that had made the Hunter house a home was swept away: a Linkin Park compact disc, a bottle of rainbow-colored cake sprinkles, a package of Glade air freshener, a wooden wall clock.   Gavell encouraged her teammates to stay hydrated and take a breather when needed. But she couldn’t afford to allow them to lollygag. There were dozens more houses that they needed to get to. She couldn’t yell at slackers the way she did in the Army. These people were, after all, volunteers who could simply leave if they wanted. So she led by example, rarely pausing in her labor, and cajoled others to follow her lead. The old sergeant Gavell burst forth only once, when one member of her team grabbed a wooden duck from a trash pile. “We don’t take anything,” she admonished. “I don’t care if it’s garbage.”   After a brief break to scarf down boxed lunches provided by church volunteers, Gavell instructed her team to remove everything from the concrete slab on which the house had been built. Otherwise, she said, county inspectors would not be able to issue the family a permit to construct a new house. So they continued hammering, shoveling, and sweeping for another two hours. When they finished, she gathered them around once again. “You guys are fucking rock stars,” she gushed. “You just cleared off a path to rebuild dreams.”     Team Rubicon’s journey to Arkansas began with the devastating earthquake that struck Haiti in January 2010. Jacob Wood, a former Marine sniper who had witnessed no dearth of carnage in Iraq and Afghanistan, was shaken by television footage of the shattered Caribbean island nation.   This looks just like Fallujah, he thought. I should get down there. I can make a difference. A moment later, he checked himself. What the fuck am I going to do? I’m one guy. Nobody will think this is a good idea.   But Wood didn’t permit prudence to scuttle his impulse. He relished challenges. He had attended the University of Wisconsin at Madison on a football scholarship, playing on the offensive line. He had thought about walking away from school just three weeks into his freshman year, right after the 9/11 attacks, but he figured it made sense to finish studying before serving. As he learned more about the wars, his desire to join the military only grew. In his junior year, that desire became resolve after reading news reports of the Marines’ first campaign to retake the Iraqi town of Fallujah and after learning that Pat Tillman, who had given up a promising National Football League career to become an Army Ranger, had been killed in Afghanistan. Although most college graduates opt to become officers, Wood didn’t want to wait a year—while he went through officer school and was assigned to lead a platoon—to engage in combat. So he enlisted in the Marines and became a private.   Transformed by boot camp from a beefy lineman to a chiseled infantryman, he soon found himself on the outskirts of Fallujah, but he didn’t stay a buck private for long. He was a natural leader, and his intellect and thirst for action attracted quick notice. He had arrived in Iraq in charge of a four-man team; two weeks later, he was promoted to corporal and named co-leader of a squad, directing his men through near-daily ambushes and roadside bomb blasts. A year and a half later, after graduating from Marine sniper school at the top of his class, he went to southern Afghanistan for seven months.   His dangerous stint there stripped away the last of his college- student fantasies about warfare. He worried that he was growing numb to violence. By the time he returned to Camp Pendleton on the Southern California coast in 2009, he had resolved to leave the military. He traveled to South America, moved in with his girlfriend, and applied to business schools.   Then the ground shook in Haiti. He was certain he could be of help. He knew how to dig people out of rubble, he could wield a hammer and a saw, and he could live out of a backpack, sleeping under the stars, without running water or other creature comforts. I can work in pure chaos, he said to himself.   “I really think I should go down there,” he told his girlfriend, who made him promise that he wouldn’t travel alone. He called the Red Cross, which informed him that it did not encourage spontaneous volunteers. He called his buddies in California, all of whom demurred. Then he called Jeff Lang, one of his college roommates, who had become a firefighter in Milwaukee. “Sure, dude,” his friend replied. “When do you want to go?” Lang said another firefighter in his station who had been a Marine wanted to join. Wood also posted a message on his Facebook page. A few hours later, he got a call from William McNulty, someone he had known in the Marines. “Wood, I want in,” McNulty said.   The four men arrived in Haiti days after the quake, joining forces with two civilian physicians and a former Army Special Operations medic who also were traveling on their own and hoping to find ways to participate in relief efforts. As soon as they reached Port-au-Prince, the group saw how vast the problems were. They focused on providing emergency medical assistance, which seemed to be the most urgent need.   As word of their work reached home, their e-mail in-boxes began filling with queries of interest. Within two weeks, their ranks grew to thirty, most of them veterans. Among the new arrivals was one of Wood’s closest friends, Clay Hunt, a Marine who had served in his platoon in Fallujah. Hunt had been shot by a sniper and had lost two of his platoon mates to attacks. He was struggling with post-traumatic stress, depression, and an unraveling marriage. Throwing himself into humanitarian aid appeared to brighten his mood. As the group returned home after a month, McNulty suggested to Wood that they organize a repeat performance when the next natural disaster struck overseas. “We can make it like a club,” Wood replied.   Over the following year, their “club,” which they called Team Rubicon, headed to tsunami-ravaged Chile, Burma, South Sudan, and flood-stricken parts of Pakistan. Other veterans who participated told Wood and McNulty that the relief operations were the most meaningful work they had performed since leaving the military. Several said the overseas trips gave them a sense of purpose as they struggled to build post-military lives and cope with the after-effects of combat.   In early 2011, Wood and McNulty began talking about how they could expand their group to help more disaster victims, as well as veterans. That March, the handsome and gregarious Hunt, who had met with members of Congress and appeared in public-service videos made by the Iraq and Afghanistan Veterans of America to raise awareness about post-traumatic stress, locked himself in his Houston apartment and shot himself. Hunt’s suicide was a devastating blow to Wood. The two had gone to sniper school together and deployed to Afghanistan in the same unit. Wood had been the best man at Hunt’s wedding. Instead of the pills prescribed to Hunt by his VA doctor, which didn’t seem to work, Wood wished he could have doled out the same sense of purpose Hunt felt when he trudged through the slums of Port-au-Prince.   A few weeks after Hunt’s funeral, a tornado walloped Tuscaloosa, Alabama. Until then, Wood hadn’t focused on domestic disaster relief, but he decided to put out the call to his volunteers. Three days into the Alabama operation, as he sat around a campfire and drank whiskey with fifteen other veteran volunteers late on a Sunday night, he heard President Obama would be making a major national security announcement within the hour. Over the radio he learned that Osama bin Laden had been killed by Navy SEALs. Wood took it as a sign. Clay Hunt was dead. Osama was dead. The war had shifted to the home front. He had to do all he could for his fellow veterans. He wondered if he could mobilize even more veterans for projects within the United States.   A month later, Rubicon volunteers descended on Joplin, Missouri, after the town was struck by a gargantuan tornado. Then came Hurricane Sandy on the East Coast. The organization deployed three hundred veterans, running operations in New York and New Jersey for six weeks. By the time the tornado that killed Jeff Hunter struck central Arkansas, Rubicon had conducted nearly sixty operations and grown to sixteen thousand volunteers, divided into ten domestic zones that mirror the Federal Emergency Management Agency’s regional structure.   The volunteers ranged from former commandos who couldn’t talk about the secret missions they conducted to young National Guard troops who performed the menial chores of war. The Joplin operation drew an Air Force intelligence analyst, a chemical-warfare specialist, and a Navy submarine technician. The three Vietnam veterans who joined the Arkansas operation weren’t unusual. Most relief efforts attracted a few fit graybeards who wanted to toil next to their Iraq and Afghanistan brethren. “I have yet to find a Vietnam veteran who hasn’t said, ‘I wish you were around forty years ago when I came home,’ ” Wood said.   For every case of post-traumatic stress among veterans, Wood was convinced there was a case of post-traumatic growth— sometimes in the same person. Every Rubicon operation brought a few men and women who had folded up their uniforms and felt rudderless in the civilian world. They found rejuvenation in aiding others. The gray T-shirts, the backbreaking labor, the austere accommodations, unappealing as they might have seemed to many nonveterans, were a throwback to veterans’ glory days. And their work exposed a nation disconnected from its military to the spirit of service that motivated so many young men and women to wear the uniform.   “There’s a value and power of continued service—for veterans and for society as a whole,” Wood said. “We can be an example of what the next greatest generation can be.”     Randi Gavell, the former sergeant who led the cleanup of the Hunters’ home, was among those who had traveled to Arkansas seeking to help storm victims even as she sought to find a way forward her- self.   She had joined the Army fresh out of high school in Grand Junction, Colorado. She became a military police soldier and two years later, in 2005, was sent to Iraq. Stationed in the chaotic western city of Ramadi, on the grounds of a water-treatment plant next to the Euphrates River, her unit was tasked with training Iraqi policemen. There were plenty of young men in Ramadi willing to sign up and claim a paycheck, but getting them to show up for duty and patrol the streets proved far more difficult.   Although there were multiple attacks against American troops in Ramadi, Gavell never felt anxious until one morning in August 2006 when rain fell from the sky. Residents rejoiced at this most unusual sight in the Iraqi desert, but Gavell didn’t. “A bad omen,” she warned her comrades.   An hour later, three trucks laden with explosives roared toward the front gate of the water plant. The first suicide bomber intended to detonate next to the gate, allowing the other two to drive inside before exploding, in an attempt to flatten the structure and maximize casualties. But the first truck exploded prematurely, triggering the other two vehicles and creating a massive fireball that incinerated two dozen recruits waiting outside. Ten of the twelve American soldiers inside the compound were injured, including Gavell, who suffered a severe concussion and a blown-out right eardrum.   Then came post-traumatic stress—blurred vision, bouts of dizziness, insomnia, and headaches so painful that she couldn’t get out of bed. Her Army doctor pumped her full of medicine—as many as thirty prescription pills a day, including a drug designed to treat testicular cancer that he thought would ease her anxiety. The pills numbed her aches and helped her sleep, but she spent her daytime hours in a haze.   After two years, she decided to quit taking the drugs cold turkey. “You lose so much of yourself anyway; I didn’t want to lose the rest of myself to the pills,” she said. The decision cost her her military career. She couldn’t keep serving if she had to call in sick once or twice a week on the days when she lay in bed curled up and shaking from migraines.   She eventually turned to exercise as a salve. She participated in the U.S. Olympic Committee’s inaugural Warrior Games for wounded service members and veterans, competing in swimming and volleyball. When she got out of the Army in 2010, she moved to Los Angeles, climbed on a bicycle, and joined a group called Ride 2 Recovery. As she became involved with the organization, she struck up a conversation with a fellow veteran struggling with post- traumatic stress, Clay Hunt.   They became fast friends. When he visited Southern California, he stayed in her apartment, and they commiserated about the challenges in adjusting to civilian life. On one visit, as he took a break from playing his guitar, he talked about his international aid work and urged her to sign up for Team Rubicon.   His suicide left Gavell despondent. She copied a tattoo he’d had on his arm onto her wrist: “Not all who wander are lost.” And she began to doubt her own recovery. If Clay, who had seemed so strong, felt so helpless, would she follow the same path? She tried to move forward. She met a woman at a Ride 2 Recovery race who introduced Gavell to her brother. They got engaged. For a while, it appeared that she was going to be okay. By the spring of 2013, how- ever, the engagement had hit the skids. She had moved to Colorado, he to Hawaii. She wished Clay were still around; he was always the one to get her back on her feet.     “When you get out, you don’t realize how lost you’ll be,” she said. She tried to go to college but felt awkward as a freshman at twenty-five. She took physical education and art classes at a com- munity college but found them unfulfilling. She tried business courses, but they were too difficult and boring. She tried online education, but she lacked the discipline to complete the course work. She moved to Hawaii to attend massage therapy school and rekindle her engagement, but both ventures failed, and she eventually returned to Colorado.   That May, as she was wallowing in depression, a giant tornado struck Moore, Oklahoma. A day later, she received an e-mail from Team Rubicon asking if she’d be interested in participating in the relief operation. “It felt like Clay was telling me to go,” she recalled.   So she did, first for a week, then for a month. She reveled in the grueling work, in the opportunity to help people, in the camaraderie. It was Army life, minus the insurgents. A year later, when the tornado hit central Arkansas, she readily agreed to join the operation from her new home in Oklahoma City. “For me, helping other people is how I help myself,” she said. “This is therapeutic. It’s the best kind of medicine there is. I don’t need all of those pills if I can come and give hope to someone.”   The night before she led the team to clear out the Hunters’ lot, she was struck with a migraine. She didn’t sleep more than an hour. The next morning, although she projected a calm and disciplined demeanor, the lack of rest caught up with her. She forgot to deliver a safety briefing to her team until midday. But once they finished at the Hunters’ and moved on to a house whose roof had been smashed by a falling tree, which required her team to bring out the chain saws, she had regained her focus. Anyone using a saw, she insisted, had to wear a hard hat, goggles, and bright orange safety chaps.   She hoisted herself onto the roof carrying a tarp and a bucket of nails to seal the opening. Then she grabbed an ax and began splitting logs from the fallen tree. It wasn’t a service Rubicon typically performed, but Gavell knew that Maxine Coughlin, the seventy- three-year-old widow who lived in the house, depended on firewood to keep warm in the winter, and there was no way she could chop the logs herself.   Gavell split log after log in a gully next to Coughlin’s garage, working herself into a frenzy. Her breath quickened and sweat dripped onto a pink bandana under her hard hat, but she refused to stop until the entire forty-foot-tall tree had been divvied up into chunks of firewood.   When she finally put down the ax, she noticed a faded and tattered American flag next to Coughlin’s door. The following morning, Gavell returned with a new one and presented it to Coughlin. The gray-haired woman embraced Gavell, and they chatted on her stoop.   Coughlin explained that her late husband, who had been captured by Chinese forces during the Korean War, had insisted upon displaying the Stars and Stripes in front of their house. The flag was his, and she had kept it flying, despite its threadbare condition, to honor him.   Gavell told her she didn’t need to remove it, that she could keep the replacement inside the house. But Coughlin said she wanted to display the new one to honor the young veterans who had covered her roof, cut her trees, and chopped her wood. She pointed at members of Gavell’s team.   “After everything you have been through in the wars, you still want to help people,” she said. “All of you make us proud to be Americans.”


For Love of Country: What Our Veterans Can Teach Us About Citizenship, Heroism, and Sacrifice, by Howard Schultz, Rajiv Chandrasekaran

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46 of 47 people found the following review helpful. What is service and what responsibilities do we have as citizens? By Trader Bill on wine I gave it five stars even though the book evoked many emotions in me...some not so pleasant memories. I was a Viet Nam vet (Navy, and while we engaged in battle it was safely from a ship, thus I am no hero). But it was painful to see the treatment of true heroes (some without medals to show for it), being ridiculed by anti-war protestors. It was even worse to find how our government had deceived us.I have long felt shame for the way we viewed veterans near the VA hospital in L.A. as drunks. Of course we had no understanding of PTS then so perhaps it is somewhat understandable. Remember the scene, it Patton, where the general slapped the soldier for being afraid to return to combat? No one knows how they will react...certainly those who have received medals, especially Medal of Honor winners, do not feel they did anything special...and most feel guilt for their buddies who died, to them: the real heroes!I was at my ship's reunion three years ago at The Alamo, the first time people ever came up and said, 'thank you for your service". I was moved by that...and whenever I see a person in the armed forces I say that...the book pointed out that there is much more than words that we can do to support and honor them.The draft was unfair...but when the Supreme Court ruled it illegal something else should have been done to instill service into our young people, as many other countries do (Israel, Switzerland, etc.). Upon turning 18 or leaving high school, I believe there should be mandatory public service for two years: not just military; it could be a hospital or any kind of public service and It should be at least 100 miles from home to teach independence. It is truly sad that we have left our country's safety to 1% of the population who are grossly underpaid and cared for after their service (if they survive it). Worse yet, is the miniscule number of people in elected office who have never served, yet are eager to commit our young people to war, generally politically motivated.Part One of the book evoked strong emotions in me...bringing tears to my eyes. By the end I was numbed to the carnage. Part Two was trying to put meaning on the sacrifices described. It too involved sacrifice - personal sacrifice - giving up monetary gains to make a difference. It was very moving.I agree with the first reviewer that in this world of people preying on others pain, a list of worthy organizations is provided, so your dollars (and volunteering) can go where it belongs.Highly recommended!

31 of 31 people found the following review helpful. Putting Skin in the Game By @ChadGrills I've heard many founders of large businesses speak about veterans issues. As a veteran and author, I can't help but roll my eyes listening to most of it. They are semi-well intentioned, but most of them miss the point. They miss the core of many issues because they are complicated and nuanced.This book was a breath of fresh air from a founder, risk taker, and now business icon- Howard Shultz. He teamed up with an amazing author and editor/writer from the Washington Post, Rajiv Chandrasekaran to deliver a great blend of stories.Howard Shultz is making an incredible effort to not only understand veterans, but hire them and their spouses at Starbucks. As a veteran this was a refreshing read, and felt like a real, "thank you for your service." Highly recommended.

31 of 33 people found the following review helpful. Great book! By Gina M Nidasio A must read for civilians and veterans alike. As a veteran, I found the true life accounting of events to be riveting and inspirational. Also, learning about the several nonprofit organizations was extremely helpful and has given me direction as to what I want to do to continue to serve. Thank you!

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For Love of Country: What Our Veterans Can Teach Us About Citizenship, Heroism, and Sacrifice, by Howard Schultz, Rajiv Chandrasekaran
For Love of Country: What Our Veterans Can Teach Us About Citizenship, Heroism, and Sacrifice, by Howard Schultz, Rajiv Chandrasekaran