Selasa, 19 Oktober 2010

German Artillery: 1914-1918 (Fact File), by Wolfgang Fleischer

German Artillery: 1914-1918 (Fact File), by Wolfgang Fleischer

By downloading and install the on the internet German Artillery: 1914-1918 (Fact File), By Wolfgang Fleischer book here, you will get some advantages not to opt for guide store. Just link to the web and begin to download the web page link we discuss. Now, your German Artillery: 1914-1918 (Fact File), By Wolfgang Fleischer is ready to take pleasure in reading. This is your time as well as your calmness to obtain all that you desire from this publication German Artillery: 1914-1918 (Fact File), By Wolfgang Fleischer

German Artillery: 1914-1918 (Fact File), by Wolfgang Fleischer

German Artillery: 1914-1918 (Fact File), by Wolfgang Fleischer



German Artillery: 1914-1918 (Fact File), by Wolfgang Fleischer

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The importance of artillery in warfare grew more and more throughout the nineteenth and early twentieth centuries. New developments such as solid cannon barrels improved hit accuracy and the range of projectiles. This Fact File volume focuses on German Artillery during the Great War, when it could be argued that artillery was for the first time the dominant weapon on the battlefield. Wolfgang Fleischer discusses the diversity of artillery developed and used during the First World War by the Germans.

German Artillery: 1914-1918 (Fact File), by Wolfgang Fleischer

  • Amazon Sales Rank: #370096 in Books
  • Published on: 2015-09-19
  • Original language: English
  • Dimensions: 8.25" h x 5.25" w x .50" l, .84 pounds
  • Binding: Paperback
  • 128 pages
German Artillery: 1914-1918 (Fact File), by Wolfgang Fleischer

About the Author Wolfgang Fleischer, born in 1952, is Head of Department in military technology in the Military History Museum of the Bundeswehr in Dresden and guest lecturer for historical ordnance at the Sprengschule Dresden. He has published a number of books and articles covering weapons, ammunition, ordnance and military vehicles.


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0 of 0 people found the following review helpful. Well written and reasonably accurate reference on Field, Foot ... By Ralph Lovett Well written and reasonably accurate reference on Field, Foot, and Flak Artillery in service in the German Army in the WW1 Era. It also includes captured artillery pressed into German service.

See all 1 customer reviews... German Artillery: 1914-1918 (Fact File), by Wolfgang Fleischer


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German Artillery: 1914-1918 (Fact File), by Wolfgang Fleischer

German Artillery: 1914-1918 (Fact File), by Wolfgang Fleischer

German Artillery: 1914-1918 (Fact File), by Wolfgang Fleischer
German Artillery: 1914-1918 (Fact File), by Wolfgang Fleischer

Senin, 18 Oktober 2010

Black Panther: Who is the Black Panther, by Reginald Hudlin

Black Panther: Who is the Black Panther, by Reginald Hudlin

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Black Panther: Who is the Black Panther, by Reginald Hudlin

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The Black Panther is back... and she's badder than ever! That's right - she! What happened to T'Challa? Who is the new Black Panther? Find out why the female is the deadliest of the species! Collects Black Panther #1-6.

Black Panther: Who is the Black Panther, by Reginald Hudlin

  • Amazon Sales Rank: #48483 in Books
  • Brand: Hudlin, Reginald/ Romita, John, Jr. (ILT)
  • Published on: 2015-03-10
  • Released on: 2015-03-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.25" h x .25" w x 6.63" l, .0 pounds
  • Binding: Paperback
  • 200 pages
Black Panther: Who is the Black Panther, by Reginald Hudlin

About the Author Aaron McGruder is the creator of "The Boondocks comic strip, soon to be a network television show, and author of the national bestseller "A Right to Be Hostile. Reginald Hudlin is the director of eight films, including "House Party, "Boomerang, and "Bebe's Kids. Kyle Baker is the author of five classic graphic novels, and his illustrations have appeared in publications nationwide.Over his 30-year career, Klaus Janson has brought to life such characters as Batman, Punisher, Daredevil, and Spawn. This book is the culmination of theories learned and applied while teaching at the famed School of Visual Arts for the last 11 years. Janson lives in New York City.


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8 of 9 people found the following review helpful. JRJR Does Black Panther By J. Fields I got this because I'm a Black Panther fan, and also because I'm a big John Romita Jr. fan. Klaus Jansen inks JRJR like no one else can, and for my money, no one else should ink his pencils. The artwork here is very good - but lacking something for me. I was trying to figure out why, and I think the book is too dark. Not in storyline, but just in coloring. The older versions if Black Panther have his suit almost a blue color, with lots of heavy darks and line work. This gives him a depth and shows off the artistic touches much better than trying to keep him all dark with grays/blacks. JRJR's linework needs to be seen, otherwise his style becomes too blocky and sparse, like cardboard cutouts. The rest of the book is gorgeous, but when it comes to the main character, that's who I wanted to see tricked out in JRJR's style.The plot was the best in the history of Black Panther yet. It was nice to have him in his country of origin, instead of finding reasons to bring him to big cities via silly plot twists. I found the tech a little overdone and unexplained, and also the villian was boring and not only named after Inspector Gadget's arch enemy, he had the same gimmicky hand.A solid book for a character that needed it by a good team.Look for the animated series on Netflix or DVD - because it's cooler than the book, and I think JRJR's pics came out better in that format. Plus, Captain America's scene figures in much more in the animated series than his too brief treatment here.

4 of 4 people found the following review helpful. Who is the Black Panther? One bad dude! By UltimateFan This graphic novel was the first Black Panther book I've ever read. I read a 4-issue miniseries a long time ago, but it didn't leave much of an impression on me because I've forgotten what the story was even about(I think it was about someone, a cop I think, named Casper Cole taking on the role of Black Panther and fighting corruption on the streets in America). Needless to say, it was not the classic Black Panther that this story is about. This Black Panther, T'Challa of Wakanda(a small independent country in Africa that is both a tribal and simultaneously more technologically advanced nation than any other in the world), is WAY different and MUCH cooler! I have read books with T'Challa in them before, but never one where he was the central character of the story. And what a heck of a story it is.The story is an origin story and a suspenseful, political, action-thriller about revenge and power - those who have it, and those who want it. I won't go into the details of the plot, so don't worry, no spoilers here. What I will do is comment on the quality of the story in both the writing and the artwork.First, the writing. Reginald Hudlin, coming from the movie industry, does a nice job in weaving together a history for both the Black Panther and the nation of Wakanda, while telling an intriguing action-thriller that moves at a fast pace which rarely lets up. His movie-making influence can be felt here in the best possible way. His history makes for an excellent transition into telling this story in a wonderfully cinematic fashion. You could see this as a movie quite easily. In fact, Marvel Knights DID make this into an animated movie/motion comic. This leads me to the artwork.John Romita, Jr.(a favorite of mine) contributes heavily to the cinematic look and feel of this book. Although the panel layouts are of the simple, classic kind(there are no panels-within-panels/overlapping panels, or non-square/rectangle panels to be found here), which is typical of JRJR's stuff, there is still that feeling of watching a movie unfold before your eyes. I find that this is the case with much of his works(see "Daredevil: The Man Without Fear", "Kick-Ass", or "The Incredible Hulk v.1: Return of the Monster"). If you aren't familiar with his style, I would describe it as highly tangible. That is to say, it is clearly intelligible. It isn't elusive in any way. It's very straightforward and simplistic. That doesn't mean that it isn't stylized. You could have 100 artists draw the same page, and I could pick his out with ease. His look is both cartoonish and realistic in nature. And his characters have a somewhat blocky nature to them. I happen to like this aspect and think that it works well for him. The amount of detail in his panels is modest, yet he hits all the right notes to sell the reality of the scene. His close-ups, for example, are typically absent of any background elements entirely(aside from a solitary color). He chooses, rather wisely(for HIS style anyway), to emphasize the main focus of the scene; be it an apologetic yet uneasy expression on the face of a prostitute declining a proposition from a customer to allow him to kiss her in exchange for added cash; or the image of two hands - one, the customer's holding out a wad of hundreds, the other the prostitute's, reluctantly outstretched in acceptance of the cash - completing the foreboding transaction of which she had just previously declined. JRJR is a master storyteller. He makes even little things like this palpable. And his action sequences? Top-notch.There were a couple of things that were drawbacks. One was the fact that pretty much all of the non-Wakandans in the story tended to be portrayed in a rather negative light. I understand that Hudlin was trying to establish that Wakanda was not only technologically advanced, but also socially and morally advanced as well. You can agree or disagree with this premise, but although I think Hudlin may have pushed a little too hard sometimes in trying to validate this stance, I respect his position and I believe that it makes sense within the sociopolitical context of this book. The other thing that detracted from this book was the quick ending. It seemed to end a little too fast for me. But I can live with these things because the overall story is a fun read, and the artwork is great. In the end, I really enjoyed this book. I would recommend it to anyone who is a fan of either JRJR or suspenseful action-thrillers in general.

3 of 3 people found the following review helpful. Hollywood-ready By David Weigel The Black Panther was created in a late-60s fit of conscience. Marvel Comics writers wanted to add a black hero to the roster; they saw a news item about some "Black Panther" group scaring white people in California. Boom: The new character had a name, albeit instead of protesting racism in America, he was the superpowered king of a wealthy African kingdom.Hudlin has taken a second-tier character and made him fascinating. In his new Panther mythos, the Panther's Wakanda is constantly under siege from arrogant (white) would-be conquerers. One of them, The Klaw, is trying to avenge the shame of his South African forefather, who tried and failed to conquer the Wakandans. He draws blood. He gives the Panther an epic challenge on his home turf. It's a thrilling story that could be turned into a Will Smith vehicle tomorrow. But maybe they'd blow it! Romita's art elevates the story and the action the way some bland CGI never could.

See all 16 customer reviews... Black Panther: Who is the Black Panther, by Reginald Hudlin


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Kamis, 14 Oktober 2010

French Warships in the Age of Sail, 1786-1862: Design, Construction, Careers and Fates,

French Warships in the Age of Sail, 1786-1862: Design, Construction, Careers and Fates, by Rin Winfield, Stephen S. Roberts

Just how a suggestion can be obtained? By staring at the superstars? By seeing the sea as well as looking at the sea interweaves? Or by reviewing a publication French Warships In The Age Of Sail, 1786-1862: Design, Construction, Careers And Fates, By Rin Winfield, Stephen S. Roberts Everybody will have certain unique to obtain the motivation. For you which are dying of publications as well as always obtain the inspirations from publications, it is truly terrific to be here. We will certainly show you hundreds collections of guide French Warships In The Age Of Sail, 1786-1862: Design, Construction, Careers And Fates, By Rin Winfield, Stephen S. Roberts to read. If you such as this French Warships In The Age Of Sail, 1786-1862: Design, Construction, Careers And Fates, By Rin Winfield, Stephen S. Roberts, you could additionally take it as your own.

French Warships in the Age of Sail, 1786-1862: Design, Construction, Careers and Fates, by Rin Winfield, Stephen  S. Roberts

French Warships in the Age of Sail, 1786-1862: Design, Construction, Careers and Fates, by Rin Winfield, Stephen S. Roberts



French Warships in the Age of Sail, 1786-1862: Design, Construction, Careers and Fates, by Rin Winfield, Stephen  S. Roberts

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In 1786 the French navy had just emerged from its most successful war of the eighteenth century, and the reputation of its ship design and fighting skills never stood higher. Though the effects of the French Revolution would devastate the navy's efficiency, the French would go on to produce some of the most advanced, innovative ships of the age. This book contains an abundance of information on the construction and careers of each of these marvelous ships. The result of such detail is the first concise, clear resource on the development of French warships in the latter half of the sailing era.

French Warships in the Age of Sail, 1786-1862: Design, Construction, Careers and Fates, by Rin Winfield, Stephen S. Roberts

  • Amazon Sales Rank: #916198 in Books
  • Published on: 2015-10-15
  • Released on: 2015-10-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.40" h x 1.30" w x 9.10" l, 2.59 pounds
  • Binding: Hardcover
  • 352 pages
French Warships in the Age of Sail, 1786-1862: Design, Construction, Careers and Fates, by Rin Winfield, Stephen S. Roberts

About the Author Rin Winfield is the author of the series British Warships in the Age of Sail, as well as a number of other highly regarded books on the sailing navy.Stephen S. Roberts is a leading American authority on nineteenth century French warships.


French Warships in the Age of Sail, 1786-1862: Design, Construction, Careers and Fates, by Rin Winfield, Stephen  S. Roberts

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4 of 4 people found the following review helpful. Finally a guide to the French Navy in the Age of Sail!!! By Billy Harris French Warships in the Age of Sail 1786-1862 is the latest in a series of books on the major navies of the Age of Sail and like the other books is crammed full of information. This book contains an over view of the French Navy during this period and the battles fought, as well as the bases used by the navy. The heart of the book is the ship information, every French warship from this period is here with class info, armaments, and career information. The illustrations are sparse and limited to ship plans, base maps and b/w paintings and drawings of the ships as well as some b/w photos of some of the later ships, if you are expecting lots of color paintings of ships and the models of ships this is not that kind of book. I own all of the books in this series and love all of them for the huge amount of data that they contain. I highly recommend this book to anyone interested in the French Navy during this period, there is no other book like this one.

2 of 2 people found the following review helpful. I am adding my own general comments of this most excellent work by one of the premier British authors in ... By John M. Tredrea I have already written individual responses to the reviews posted here by Robert Hendricks and Ulises Victoria, but in the interests of more fully balancing their critiques, I am adding my own general comments of this most excellent work by one of the premier British authors in the field of sailing warship development and documentation along with his new found coauthor Stephen Roberts whose own field of particular specialization has involved extensive archival research into the subject of French warships.. This book is the first in what will be a two volume summary of the entire French sailing navy from 1600 through the effective end of sail in 1862 and compliments Rif Winfield's exhaustive four volume study of British sailing warships during the same period. The only similarly comprehensive study of the French sailing navy can only be found in the seven volume French language compendium by the French scholar Alain Demerliac. This work by Winfield and Roberts provides the same depth of coverage as Demerliac's pioneering work and does so in what is, in my opinion, a more organized and compact format that includes discussion of various elements relating to the development of French warships as a function of the strategic and operational imperatives place on France by its history and its geographical placement at the center of the European subcontinent.It has three great advantages for English speaking students of the subject. The first and most obvious is that it is written in English and accordingly accessible to readers for whom, like myself, the French language is a great and enduring mystery. Secondly and of equal importance, it is affordable at a reasonable price and this stands in marked contrast to the Demerliac series which is not only difficult to obtain, but on the order of ten times the expense for the same information. The third is that it has over 260 grayscale illustrations, all enhanced by commentary and, with the commentary, worth the price of the book by itself.The potential buyer of French Warships in the Age of Sail should not assume that this book and its work in progress prequel covering the period from 1600 through 1785 are simply restructured versions of Alain Demerliac's own series or of the work of other French researchers such as Pierre le Conte.. Both Stephen Roberts and Rif Winfield have availed themselves of their own extensive research efforts and Stephen Roberts in particular has researched the same archival resources available to Alain Demerliac as part of his lifetime pursuit into the subject. In addition to this, the two authors have augmented and corrected Demerliac's coverage of foreign acquisitions, particularly those involving the navies of the Netherlands and of the Venetian Republic during the French Revolutionary and Napoleonic periods with new and extensive information not available to Demerliac thanks to their contacts with James Bender on the Dutch navy and Guido Ercole on the navy of Venice.This is not the kind of book that naval aficionados can casually read cover to cover for pleasure and diversion, although it is definitely the kind of book that either people with a deep interest in warship development OR in naval historical studies of campaigns and wars can browse their ways through over time as either the need or the mood strikes them. What it is is an informational resource packaged in a manageable and diverting format. I treasure my own copy and recommend it highly.

1 of 3 people found the following review helpful. I was disappointed in the book By Robert L. Hendricks I was disappointed in the book. Although a large format book with a beautiful jacket, that promise did not pan out for me. The cover said "Design, Construction". Actually the book is an extensive inventory of French naval ships by type and how they were acquired. I was interested in finding out how French ship design and construction differed from the British or Dutch. If the French were noted for innovation, how so? How can one distinguish a French ship for that of another country? These questions were not answered for me.

See all 4 customer reviews... French Warships in the Age of Sail, 1786-1862: Design, Construction, Careers and Fates, by Rin Winfield, Stephen S. Roberts


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French Warships in the Age of Sail, 1786-1862: Design, Construction, Careers and Fates, by Rin Winfield, Stephen S. Roberts

French Warships in the Age of Sail, 1786-1862: Design, Construction, Careers and Fates, by Rin Winfield, Stephen S. Roberts

French Warships in the Age of Sail, 1786-1862: Design, Construction, Careers and Fates, by Rin Winfield, Stephen S. Roberts
French Warships in the Age of Sail, 1786-1862: Design, Construction, Careers and Fates, by Rin Winfield, Stephen S. Roberts

Rabu, 13 Oktober 2010

Marvel's Guardians of the Galaxy: The Junior Novel, by Marvel Press, Chris Wyatt

Marvel's Guardians of the Galaxy: The Junior Novel, by Marvel Press, Chris Wyatt

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Marvel's Guardians of the Galaxy: The Junior Novel, by Marvel Press, Chris Wyatt

Marvel's Guardians of the Galaxy: The Junior Novel, by Marvel Press, Chris Wyatt



Marvel's Guardians of the Galaxy: The Junior Novel, by Marvel Press, Chris Wyatt

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[Children's Fiction (Ages 10-12)] [*This is the Audio CD edition of The Novelization of the movie ''Marvel's Guardians of the Galaxy''] An action-packed, epic space adventure, Marvel's Guardians of the Galaxy tells the story of a group of cosmic misfits - Star-Lord, Gamora, Drax the Destroyer, Rocket Raccoon, and Groot - who band together to protect a mysterious orb against Ronan, a powerful villain with ambitions that threaten the entire universe.

Marvel's Guardians of the Galaxy: The Junior Novel, by Marvel Press, Chris Wyatt

  • Amazon Sales Rank: #3135741 in Books
  • Brand: Marvel Press (COR)/ Patton, Chris (NRT)
  • Published on: 2015-03-01
  • Original language: English
  • Number of items: 2
  • Dimensions: .80" h x 5.20" w x 5.80" l,
  • Binding: Audio CD
Marvel's Guardians of the Galaxy: The Junior Novel, by Marvel Press, Chris Wyatt

About the Author Disney Publishing Worldwide (DPW) is the world's largest publisher of children's books, magazines, and apps, with over 700 million products sold each year. DPW consists of an extensive worldwide books and magazines licensing structure as well as vertically integrated publishing imprints, including Disney-Hyperion and Disney Press in the US and Disney Libri in Italy. Headquartered in Glendale, California, DPW publishes books, magazines, and digital products in 85 countries in 75 languages. Reader/Narrator Bio: Chris Patton has narrated over seventy-five audiobooks. Chris began his career in theater at age ten, and his voice-over career at twenty-nine. Since then, he has voiced over two hundred anime titles, numerous commercials and e-learning and industrial projects, and several video games.


Marvel's Guardians of the Galaxy: The Junior Novel, by Marvel Press, Chris Wyatt

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4 of 4 people found the following review helpful. Bookworm Speaks!- Guardians of the Galaxy: The Junior Novel By Jordan T. Brantley Bookworm Speaks!Guardians of the Galaxy: The Junior NovelWritten by James Gunn and Nicole Perlman****Guardians of the Galaxy were an obscure title of Marvel Comics that had a limited release. When it was decided to make a movie about them, there were understandably some doubts about investing so much money into an adaptation of a relatively unknown franchise. All doubts were swept away on the day of release, when Guardians of Galaxy opened to rave reviews of a fun, action-packed space adventure that is a speck of light in a film landscape dominated by doom and angst.That’s not what we are here to talk about today. Not yet at least. Today, we are here to discuss one of the many promotional items released before and after the film’s release, the junior novelization of Guardians of the Galaxy.The Story: An action-packed, epic space adventure, Marvel's Guardians of the Galaxy tells the story of a group of cosmic misfits--Star-Lord, Gamora, Drax the Destroyer, Rocket Raccoon, and Groot--who band together to protect a mysterious orb against Ronan, a powerful villain with ambitions that threaten the entire universe.The Good: Bookworm has not read too many junior novelizations of movies, but this tome is a good example as it is definitely a junior novel. The plot and writing has been greatly simplified and the violence has been almost completely omitted or toned down. Thankfully, the writers did a good job of preserving the feel of Guardians of the Galaxy for those who have already seen the movie.Some may call kid friendly adaptations. a soulless cash grab but that is an unfair assessment. The film is not that offensive but it has enough violence and some swear words to earn its PG-13 rating. So it is probably not a good idea for little kids to see it. Nonetheless, this book is gentle enough that kids can read to their heart’s content. The children are the future and it is the duty of the Nerd sphere to guide and nurture the next generation of geeks.The Flaws: The most glaring flaw is the books ending: it is unfinished. It basically stops right before the big climax. This is probably due to the fact that it was released before the film’s release and they did not want to spoil the ending. Still, that could not prevent the feeling of let down upon the completion of this text. Its purpose is understandable and it would probably cause Bookworm to want to go see the movie (again). Still…Secondly, the book being simplified causes some details to be lost. Normally it is the book that is less detailed than the movie but in this case the book leaves out a lot.Final Verdict:While not as good as the real things and Bookworm looks forward to a real novelization, Guardians of the Galaxy: The Junior Novel, is exactly what is says it is and in spite of its changes remains a faithful adaptation to the source material and perfect for younger readers.Four out of Five Starsthecultureworm.blogspot.com

5 of 5 people found the following review helpful. Definitely a good introduction to the Guardians Of The Galaxy By Amazon Customer VERY well done, for the adult readers (if you are reading it with your kids), it covers what appears to be the first 2/3rds of the film, leaving the big conclusion out. Well written and true to the characters while staying age appropriate.

3 of 3 people found the following review helpful. One Star for Half a Story By Josh This book only covers half the movie and ends with "but that's a story for another time..." Are you going to publish that story? Do you think kids couldn't have read another 70 pages?

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Marvel's Guardians of the Galaxy: The Junior Novel, by Marvel Press, Chris Wyatt

Marvel's Guardians of the Galaxy: The Junior Novel, by Marvel Press, Chris Wyatt
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Selasa, 12 Oktober 2010

Sidewalking: Coming to Terms with Los Angeles, by David L. Ulin

Sidewalking: Coming to Terms with Los Angeles, by David L. Ulin

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Sidewalking: Coming to Terms with Los Angeles, by David L. Ulin

Sidewalking: Coming to Terms with Los Angeles, by David L. Ulin



Sidewalking: Coming to Terms with Los Angeles, by David L. Ulin

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In Sidewalking, David L. Ulin offers a compelling inquiry into the evolving landscape of Los Angeles. Part personal narrative, part investigation of the city as both idea and environment, Sidewalking is many things: a discussion of Los Angeles as urban space, a history of the city’s built environment, a meditation on the author’s relationship to the city, and a rumination on the art of urban walking. Exploring Los Angeles through the soles of his feet, Ulin gets at the experience of its street life, drawing from urban theory, pop culture, and literature. For readers interested in the culture of Los Angeles, this book offers a pointed look beneath the surface in order to see, and engage with, the city on its own terms.

Sidewalking: Coming to Terms with Los Angeles, by David L. Ulin

  • Amazon Sales Rank: #54630 in Books
  • Published on: 2015-10-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .60" w x 5.50" l, .0 pounds
  • Binding: Hardcover
  • 152 pages
Sidewalking: Coming to Terms with Los Angeles, by David L. Ulin

Review "The moments of true beauty in this shortest of books are precisely when Ulin reminds us that the everyday texture of Los Angeles . . . already functions like a quantum field out of which distant influences, disorienting urban rebirths and half-remembered cinematic cameos are constantly emerging. It is a city of 'seismic existentialism, ' he wonderfully suggests, whose ground is shaken not just by earthquakes but by the seemingly endless eruption of alternative urban forms, often successfully breaking through."--Geoff Manaugh"Los Angeles Times" (10/09/2015)"Walking in Los Angeles is not an oxymoron. In this revealing meditation on what it means to pound the pavement in the City of Automobiles, book critic David L. Ulin observes a Los Angeles that many of us didn't even knew existed. . . . Thoughtful and poetic, Ulin's small volume proves there is more to the City of Angels than just beaches, movie stars and abundant sunshine."--June Sawyers"Chicago Tribune" (10/23/2015)"In a series of fascinating, at times impressionistic, disquisitions [Ulin] unlocks some of Los Angeles s hieroglyphic secrets. Step right up then for Ulin s tour of Los Angeles, a diffuse city full of 'nonlandmark landmarks.' . . . The pleasure of"Sidewalking"is watching Ulin contextualize each place by considering the way its history is preserved, effaced, or buried under the surface."--Matt Seidel"Los Angeles Review of Books" (11/03/2015)""David Ulin s"Sidewalking"opens LA up for all of us locals or not. A quietly stirring book, this should be on your must-read list. . . . I loved it and can t wait to read it again and again."--Anna March"The Rumpus" (01/13/2016)"

From the Inside Flap "Sidewalking is a profound and poetic book. It is a meditation not only on the strange and marvelous nature of Los Angeles but also on the nature of history, memory, and community itself. This is nonfiction writing at its very best." —Susan Orlean, staff writer for the New Yorker and author of seven books, including the New York Times bestseller The Orchid Thief “Sidewalking will cement David Ulin’s already well-deserved reputation as a leading literary critic. Like a good, long walk, his book is an exercise in patience, observation, and reflection. At the end of the journey, you feel you’ve been someplace—and you feel illuminated and enlightened." —Héctor Tobar, author of the New York Times bestseller Deep Down Dark: The Untold Stories of 33 Men Buried in a Chilean Mine, and the Miracle That Set Them Free "An inspiring challenge to engage with urban life, Sidewalking raises unprejudiced questions about city and 'city'—the built environment and the individual’s own experience of it. L.A.'s famous sprawl and very human neighborhoods, its uneasy meld of public and private spaces, its legendary gridlock, its organic and artificial environments, all feature in what is no less than the teasing out of a new and nuanced interpretation of the nature of 'urbanity’ itself." —Janet Fitch, author of Paint It Black and White Oleander "I see this book as a benign remake of [the movie] Falling Down. In this version, Michael Douglas, after abandoning his car, has the good fortune to bump into David Ulin, who not only offers to accompany him on his journey home but also suggests a few extensive detours. In the course of their walking-talk tour, Douglas learns that he has the good fortune to reside in a fascinating city and goes on to live a fulfilled—and inquiring—life."   —Geoff Dyer, author of numerous books, including But Beautiful, winner of the Somerset Maugham Prize "There are so many lines in this book I’d like to have at my fingertips, so many rational, logical, wholly original arguments for why Los Angeles is deeper and more soulful than it can seem, that I almost wish I could keep it in my pocket for whenever an outsider coughs up the usual hoary insults. As it is, Sidewalking has taken up welcome and necessary residence in my mind. And, to be precise, David Ulin doesn’t argue on behalf of his adopted city. He observes, he challenges, he shows his abiding and complicated love for the place. Which is only right, since when it comes to L.A.’s status as the most surprising and mysterious city in America, there is no argument." —Meghan Daum, author of The Unspeakable: And Other Subjects of Discussion

About the Author David L. Ulin is the author or editor of eight previous books, including The Lost Art of Reading: Why Books Matter in a Distracted Time and the Library of America’s Writing Los Angeles: A Literary Anthology, which won a California Book Award. A 2015 Guggenheim Fellow, he is book critic, and former book editor, of the Los Angeles Times.


Sidewalking: Coming to Terms with Los Angeles, by David L. Ulin

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Most helpful customer reviews

6 of 6 people found the following review helpful. Warning - this is NOT A guide a book. But I really enjoyed reading it. By Selleree I liked this book.This book is basically a rumination of one transplant from NY to LA who has lived there for, what I'm guessing, is about 10-20 years. He is someone that used to take public transportation, walk a lot, and he was trying to apply the same mindset and walking options in LA. I can totally relate. I spent some time in LA myself, although a whole lot more recently, and I too was taking public transportation and walking in a car city, and I felt that he was really on point about many things. You really have a different, more direct interaction with the CITY when you're walking then when you're driving. I agree that the city has this mish mosh of OLD and NEW together at the same time, of PUBLIC and PRIVATE together at the same time, and REAL and FAKE at the same time, Indoor/ outdoor space at the same time, etc., the list goes on. Those are EXACTLY some of the same things I noticed in LA that other cities, like NY don't really have. And I love how those opposite worlds collide, I agree with the author, they make the city WHAT it is and make it great.He used a lot of movies, music, and cultural references in his writing, all of which I felt were very relevant. He also used a LOT of quotes, esp early on in the book, and I thought those were kind of annoying and didn't really connect well. I thought that he repeated himself a lot, which I wasn't totally against, but a little more diversity in his example and thoughts would have been nice. Although I suppose if you ARE ruminating, you DO repeat a lot and analyze the SAME thing from MANY ANGLES which is exactly what he did here. I enjoyed learning a lot of the facts about the city I didn't know. Like I didn't know LACMA didn't originally have an entrance on Wilshire. Having lived so close to there and passing it every day, that blows my mind. Also didn't know a lot of the history of the city, which I was happy to learn about.Overall, I liked this book. Warning to the new reader - it reads more like a highly analytical, diary with history and media thrown in then a guide book to LA and famous places. And I LIKED THIS TOO, I know all about the famous touristy places, been there done that. But it's the more LOCAL aspect that I enjoyed. As he described the streets he walked I could relate because I remember walking them too, and seeing those neighborhoods as well. It's all about the LOCAL aspect. The everyday. The growth of a city. And the continuing interchange between old and new. It was really nice to see his perspective.

6 of 6 people found the following review helpful. 5 Stars! By Susan Henderson What a beauty this book is! A meditation about walking the sidewalks of a city known for drivers and highways and traffic jams. And more so, a meditation about slowing down to notice our relationship with where we live, how our identities and memories are interwoven with the physical space we share with others. Sidewalking feels in some ways like a companion piece to Joan Didion's Slouching Towards Bethlehem. Essays that give you a complex look at California and beg you to engage more in the world.

4 of 4 people found the following review helpful. An Excellent Way to Walk Through L.A. By Richard Eisenberg If you would like to learn about L.A.'s past, present and future, read Sidewalking. It is a smart, short personal take by a former New Yorker who truly knows Los Angeles and literally walks you through it.

See all 6 customer reviews... Sidewalking: Coming to Terms with Los Angeles, by David L. Ulin


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Sidewalking: Coming to Terms with Los Angeles, by David L. Ulin
Sidewalking: Coming to Terms with Los Angeles, by David L. Ulin

Minggu, 10 Oktober 2010

Californio Portraits: Baja California's Vanishing Culture (Before Gold: California Under Spain and Mexico),

Californio Portraits: Baja California's Vanishing Culture (Before Gold: California Under Spain and Mexico), by Harry W. Crosby

Californio Portraits: Baja California's Vanishing Culture (Before Gold: California Under Spain And Mexico), By Harry W. Crosby. The established innovation, nowadays support everything the human demands. It consists of the day-to-day tasks, jobs, office, home entertainment, as well as a lot more. Among them is the excellent web connection as well as computer system. This problem will certainly reduce you to sustain one of your hobbies, reading routine. So, do you have eager to read this e-book Californio Portraits: Baja California's Vanishing Culture (Before Gold: California Under Spain And Mexico), By Harry W. Crosby now?

Californio Portraits: Baja California's Vanishing Culture (Before Gold: California Under Spain and Mexico), by Harry W. Crosby

Californio Portraits: Baja California's Vanishing Culture (Before Gold: California Under Spain and Mexico), by Harry W. Crosby



Californio Portraits: Baja California's Vanishing Culture (Before Gold: California Under Spain and Mexico), by Harry W. Crosby

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First published in 1981, Harry W. Crosby’s Last of the Californios captured the history of the mountain people of Baja California during a critical moment of transition, when the 1974 completion of the transpeninsular highway increased the Californios’ contact with the outside world and profoundly affected their traditional way of life. This updated and expanded version of that now-classic work incorporates the fruits of further investigation into the Californios’ lives and history, by Crosby and others. The result is the most thorough and extensive account of the people of Baja California from the time of the peninsula’s occupation by the Spaniards in the seventeenth century to the present. Californio Portraits combines history and sociology to provide an in-depth view of a culture that has managed to survive dramatic changes. Having ridden hundreds of miles by mule to visit with various Californio families and gain their confidence, Crosby provides an unparalleled view of their unique lifestyle. Beginning with the story of the first Californios—the eighteenth-century presidio soldiers who accompanied Jesuit missionaries, followed by miners and independent ranchers—Crosby provides personal accounts of their modern-day descendants and the ways they build their homes, prepare their food, find their water, and tan their cowhides. Augmenting his previous work with significant new sources, material, and photographs, he draws a richly textured portrait of a people unlike any other—families cultivating skills from an earlier century, living in semi-isolation for decades and, even after completion of the transpeninsular highway, reachable only by mule and horseback. Combining a revised and updated text with a new foreword, introduction, and updated bibliography, Californio Portraits offers the clearest and most detailed portrait possible of a fascinating, unique, and inaccessible people and culture.

Californio Portraits: Baja California's Vanishing Culture (Before Gold: California Under Spain and Mexico), by Harry W. Crosby

  • Amazon Sales Rank: #540498 in Books
  • Published on: 2015-10-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .11" w x 6.13" l, 1.40 pounds
  • Binding: Hardcover
  • 304 pages
Californio Portraits: Baja California's Vanishing Culture (Before Gold: California Under Spain and Mexico), by Harry W. Crosby

Review “Descended from the first Mexican families who settled the region, the remote mountain people of Baja California follow a lifestyle that preserves their traditional folkways. In lively, elegant prose and stunning photographs, Harry W. Crosby portrays the Californios’ customs and rich heritage. This newly updated version of Crosby’s seminal work on the Sierra de Guadalupe will become an indispensable reference for scholars, Baja California devotees, and anyone interested in the complete saga of northwestern Mexico and the American southwest.”—Iris H. W. Engstrand author of San Diego: California’s Cornerstone and William Wolfskill: Frontier Trapper to California Ranchero

About the Author Harry W. Crosby is a photographer and historian who specializes in the history of Alta California and Baja California. His books include Gateway to Alta California: The Expedition to San Diego, 1769, Antigua California: Mission and Colony on the Peninsular Frontier, 1697–1768, and The Cave Paintings of Baja California: Discovering the Great Murals of an Unknown People.


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2 of 2 people found the following review helpful. Nostalgic about these gatekeepers By Dr Jacques COULARDEAU This book is essential to understand a little bit more this Baja California. The old ranchero time, which is so young in retrospective, less that three centuries, or about, when human occupation is going beyond counted time, which is probably beyond the Ice Age, this time is vanishing.This ranchero agricultural and herding living styles are indeed vanishing because for one it does not pay any more what is needed to simply live in our modern world, and for a second reason because people want to have TV, all modern commodities and amenities and the possibility to go around, to celebrate, to educate themselves, to live on a grand scale, which is not exactly possible in such a desolate place. But the book is essential just to keep it alive in our memories and in our consciousness. And we must keep in mind that this poverty and these poor people are those who saved, kept, unknowingly about the value of it, the oldest heritage of Northern America, at least 20,000 years old or more, though no one has even dared to try and speculate, which means start some real geological and archaeological research.The phenomenal paintings on the rock faces of this peninsula are not yet properly dated because the paint used by the first inhabitants of this region does not contain any carbon and cannot be dated with standard methods. Then we should start excavating to find what is no longer visible, what is in the earth, covered up by centuries of dust. That has not been done. We should also really analyze these paintings and compare them with all the rock paintings we know in the world, including the oldest that seem to go back to 45,000 years ago, at least.But we must understand these simple people living there are the wardens of this treasure and we must also say that those who arrived from Europe were wise enough or unaware enough not to destroy this heritage and it is still there. It could really with some work and investment become a high spot of artistic tourism. Millions of people every year are visiting such sites all around the world, and even sites that are less old that this one.The strangest element I find I n this field is the opposition of geologists and archaeologists to just ask the question because it obviously cannot be seen as an appendage of the Clovis migration. It is totally disruptive of this hypothesis and dominant archaeological forces seem to be so attached to this Clovis hypothesis that they block any other approach with spite and arrogance, the way mandarins can do all over the world in any culture. It will fall one day, and soon, just the way the refusal of Africa as the nest of Homo Sapiens fell and the same way today we have pushed things so far back that we cannot even imagine Homo Sapiens emerging less than 300,000 years ago. It was a miserable 100,000 years ago some thirty years ago, and we know today Homo Sapiens arrived in Crete some 160,000 years ago. Things have obviously changed. Where is the time when Greenberg was laughed at when he pretended all human languages had only one source, one melting pot.And they will change in America too when we start digging in Chile and in Baja California, and probably some other sites, both in South, Meso- and North America. But let us thank these simple Californians from Baja California who have saved and kept this unique heritage. And let discover and understand their way of life, even if it is disappearing. They might and probably will be the touristic guides of tomorrow.Dr Jacques COULARDEAU

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Californio Portraits: Baja California's Vanishing Culture (Before Gold: California Under Spain and Mexico), by Harry W. Crosby