The Beauty: Poems, by Jane Hirshfield
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The Beauty: Poems, by Jane Hirshfield
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The Beauty, an incandescent new collection from one of American poetry’s most distinctive and essential voices, opens with a series of dappled, ranging “My” poems—“My Skeleton,” “My Corkboard,” “My Species,” “My Weather”—using materials sometimes familiar, sometimes unexpected, to explore the magnitude, singularity, and permeability of our shared existence. With a pen faithful to the actual yet dipped at times in the ink of the surreal, Hirshfield considers the inner and outer worlds we live in yet are not confined by; reflecting on advice given her long ago—to avoid the word “or”—she concludes, “Now I too am sixty. / There was no other life.” Hirshfield’s lines cut, as always, directly to the heart of human experience. Her robust affirmation of choice even amid inevitability, her tender consciousness of the unjudging beauty of what exists, her abiding contemplation of our moral, societal, and biological intertwinings, sustain poems that tune and retune the keys of a life. For this poet, “Zero Plus Anything Is a World.” Hirshfield’s riddling recipes for that world (“add salt to hunger”; “add time to trees”) offer a profoundly altered understanding of our lives’ losses and additions, and of the small and larger beauties we so often miss.
The Beauty: Poems, by Jane Hirshfield - Amazon Sales Rank: #354405 in Books
- Brand: Knopf
- Published on: 2015-03-17
- Released on: 2015-03-17
- Original language: English
- Number of items: 1
- Dimensions: 9.30" h x .60" w x 6.29" l, 1.25 pounds
- Binding: Hardcover
- 128 pages
The Beauty: Poems, by Jane Hirshfield Review “Gracefully evocative … [Hirshfield’s] pithy and disarming lyrics have a touch of Dickinson about them as she sets human dilemmas within nature’s perpetual surge...[her] contemplative acuity, erudite imagination, and exceptional fluency in image and language make for a beautifully agile and sage volume.”— Donna Seaman, Booklist (starred review) “An exquisite collection that displays her talents of observation and her willingness to look at life through the lens of hindsight.” —Anisse Gross, The San Francisco Chronicle “Hirshfield’s new poems emerge as fiercely strong yet tender, drawing on supple intuition and clarifying intelligence to evoke the richness of her authentic inner life. Hirshfield sees beyond self, perceiving fresh perspectives flowing through our permeability and interconnection.” —Robert Bonazzi, World Literature Today “The Beauty composes the ordinary fruit, in the ordinary kitchen, the ants, the towels, the hopes, the loss, the way we humans believe and lose faith, all of it contained in the hours of every single ordinary day, and renders it beautiful, noticeable.” —Kirsten Rian, The Oregonian"Throughout The Beauty, her gracefully evocative eighth book of poems, Hirshfield is archly witty and riddling. In “My Skeleton,” for example, she offers a fresh and startling look at our relationship with our bodies, a subject rooted in her fascination with perception, science, and underlying structures of all kinds. Her succinct and arresting observations—often framed within such everyday moments as waking in the morning and sitting in a kitchen, and inspired by the subtle wonders of honey, cellophane, church bells, even the journey of a common cold—swerve suddenly and exhilaratingly onto metaphysical terrain. Her pithy and disarming lyrics have a touch of Dickinson about them as she sets human dilemmas within nature’s perpetual surge: “Generation. / Strange word: both making and passing.” Hirshfield’s contemplative acuity, erudite imagination, and exceptional fluency in image and language make for abeautifully agile and sage volume."— Donna Seaman, Booklist (starred review)"The Beauty, Jane Hirshfield's eighth collection, reveals a poet at the height of her powers. With her signature use of deceptively simple images and language, she hints at the unspoken truths that lie just beyond our perspective while celebrating the everyday details and connections that make a life. . . While many of these poems are brief, they are masterpieces in miniature. Their images are simple but not obvious; they are offered without judgment. They also reward contemplation. Hirshfield asks her readers to wait for their own reactions, suggesting that those reactions matter because they open the door to the poem's meaning, and because they unite us all. --Jeanette Zwart, Shelf AwarenessA Publishers Weekly Pick of the Week
About the Author
Jane Hirshfield is the author of eight books of poetry, including The Beauty; Come, Thief; After; and Given Sugar, Given Salt. She has edited and cotranslated four books presenting the work of poets from the past and is the author of two major collections of essays, Nine Gates: Entering the Mind of Poetry and Ten Windows: How Great Poems Transform the World. Her books have been finalists for the National Book Critics Circle Award and England’s T. S. Eliot Prize; they have been named best books of the year by The Washington Post, San Francisco Chronicle, Amazon, and Financial Times; and they have won the California Book Award, the Poetry Center Book Award, and the Donald Hall–Jane Kenyon Prize in American Poetry. Hirshfield has received fellowships from the Guggenheim and Rockefeller foundations, the National Endowment for the Arts, and the Academy of American Poets. Her poems have appeared in The New Yorker, The Atlantic, The Times Literary Supplement, The Washington Post, The New York Times, Harper’s Magazine, Poetry, Orion, Discover, The American Poetry Review, McSweeney’s, the Pushcart Prize anthology, and seven editions of The Best American Poetry. A resident of Northern California since 1974, she is a current chancellor of the Academy of American Poets.
Excerpt. © Reprinted by permission. All rights reserved. My Eyes An hour is not a house, a life is not a house, you do not go through them as if they were doors to another. Yet an hour can have shape and proportion, four walls, a ceiling. An hour can be dropped like a glass. Some want quiet as others want bread. Some want sleep. My eyes went to the window, as a cat or dog left alone does. _______ I Wake Early I wake early, make two cups of coffee, drink one, think, go back to sleep, wake again, think, drink the other. To start a day over is a card game played for no money, a ripe tomato, a swimming cat. Time here: lukewarm, with milk and sugar, big and unset as a table. I wake twice. Twice the window unbroken, transparent. Twice the cat’s nose and ears above water. Twice the war (my war) is distant, its children’s children are distant. _______ Zero Plus Anything Is a World Four less one is three. Three less two is one. One less three is what, is who, remains. The first cell that learned to divide learned to subtract. Recipe: add salt to hunger. Recipe: add time to trees. Zero plus anything is a world. This one and no other, unhidden, by each breath changed. Recipe: add death to life. Recipe: love without swerve what this will bring. Sister, father, mother, husband, daughter. Like a cello forgiving one note as it goes, then another. Excerpted from The Beauty by Jane Hirshfield. Copyright © 2015 by Jane Hirshfield. Excerpted by permission of Knopf, a division of Random House LLC. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Most helpful customer reviews
15 of 15 people found the following review helpful. Wake to the wonder of the everyday world By Julie This is an obvious treat for Jane Hirshfield fans, and if you haven't yet read her, it's a wonderful entry point too. The Oregonian has this lovely description of what is so powerful about Hirshfield's poetry:"The danger of familiarity is that it's comfortable. And when something becomes familiar it stops being remarkable. Without the work of mindfulness, the little noticings go first and quietly accumulate in the corner of lost things, that first spring crocus, no, go even closer -- the way the color divides and splays on the petals.When was the last time you looked within three inches of a flower? Children peer, we adults hurry past. Jane Hirshfield's new collection of poetry, "The Beauty," composes the ordinary fruit, in the ordinary kitchen, the ants, the towels, the hopes, the loss, the way we humans believe and lose faith, all of it contained in the hours of every single ordinary day, and renders it beautiful, noticeable."
16 of 16 people found the following review helpful. Poems that grow your soul -- and make it sing By Carol Hewitt This book just came out today and I went to the bookstore (sorry, Amazon) because I couldn't wait -- so many tidbits had been coming out - on Garrison's show, in reviews, in interviews with the poet.As is always the case with Jane Hirshfield poetry, some of them open to me immediately and whisper their story but many stop me, confuse me, make me wonder ... and in the wondering, I feel the tickle of new growth in mind and spirit. I'm a pretty old woman, so tickles of new growth are welcome.The first poem in the book (Fado) is introduced by the poet in a story on the Wall Street Journal's blog - which includes a link to an actual fado (Portuguese song) and both the explication and the music help to open windows into what this poem - and this poet - offer a reader. Amazon, may I include the link?http://blogs.wsj.com/speakeasy/2015/03/16/poetry-spotlight-fado-by-jane-hirshfield/
6 of 7 people found the following review helpful. A major accomplishment by a longtime favorite poet By Joe Flower It is daunting to review such a writer, to attempt to apply language to describe her language. Her poetry, here more than ever, carries a more than diamond-like precision to the task of exploring the simple reality of life, and the deep beauty of life. More than diamond-like because the vision is deeply layered, using surprising but dead-certain connections to drop us deeper and deeper into the lovely conundrums of being human.It is always an event in our house when Hirshfield brings out a new volume. This time moreso, as she has taken her game up another notch.
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