Blue Yodel (Yale Series of Younger Poets), by Ansel Elkins

Blue Yodel (Yale Series of Younger Poets), by Ansel Elkins

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Blue Yodel (Yale Series of Younger Poets), by Ansel Elkins

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Originated in 1919 to showcase the works of exceptional American poets under the age of forty, the Yale Series of Younger Poets prize is the oldest annual literary award presented in the United States. Ansel Elkins’s poetry collection, Blue Yodel, is the 109th volume to be so honored. Esteemed poet and competition judge Carl Phillips praises Elkins for her “arresting use of persona,” calling her poems “razor-edged in their intelligence, Southern Gothic in their sensibility.”   In her imaginative and haunting debut collection, Elkins introduces readers to a multitude of characters whose “otherness” has condemned them to live on the margins of society. She weaves blues, ballads, folklore, and storytelling into an intricate tapestry that depicts the violence, poverty, and loneliness of the Deep South, as well as the compassion, generosity, and hope that brings light to people in their darkest times. The blue yodel heard throughout this diverse compilation is a raw, primal, deeply felt expression of the human experience, calling on us to reach out to the isolated and disenfranchised and to find the humanity in every person.

Blue Yodel (Yale Series of Younger Poets), by Ansel Elkins

• Amazon Sales Rank: #625953 in Books
• Brand: Elkins, Ansel/ Phillips, Carl (FRW)
• Published on: 2015-03-31
• Original language: English
• Number of items: 1
• Dimensions: 8.20" h x .20" w x 5.50" l, .0 pounds
• Binding: Paperback
• 88 pages

Blue Yodel (Yale Series of Younger Poets), by Ansel Elkins

Review “Reading these poems, I think of the photographs of Diane Arbus. . . . The poetry of Blue Yodel is not easy. It presents uncomfortable truths and leaves us to wrestle with them on our own. In the course of that wrestling, we learn a lot about what we know versus what we’d prefer not to know.”—Carl Phillips, from the Foreword (Carl Phillips)“Ansel Elkins’s writing is spare, musical, and sophisticated, and it anchors her powerful imagination, her phantasmagoric landscapes and stories, her wild figurations, her Southernism, and her moral ardor. These are poems poised by the discipline of the mind and perfected by the restlessness of the spirit.”—Vijay Seshadri, Pulitzer Prize–winning author of 3 Sections: Poems (Vijay Seshadri)“A wonderful piece of work. Big, complicated, and with language that sings. I found myself waking up with stanzas repeating in the back of my head.”—Dorothy Allison, author of Bastard Out of Carolina (Dorothy Allison)“[An] imaginative and haunting debut.”?Alex Crowley, Publishers Weekly (Alex Crowley Publishers Weekly)“A gorgeous, midnight-hued homage to Southern Gothic tradition.”—Sarah Meyer, O, The Oprah Magazine (Sarah Meyer O, The Oprah Magazine)“The intensities of image, music, and rhetoric, serve to unmask desire at its most elemental.”—Publishers Weekly (Publishers Weekly)“Many of the 31 powerhouse poems of Blue Yodel take on the transition from one state to another, as well as history’s insistence that the past has somehow passed.”—The Boston Globe (The Boston Globe)“Elkins’ first book . . . is rich with nuance and poignant discovery . . . Elkins shocks you, makes you cry out loud and sit riveted, disturbed, amused, and intrigued while contemplating human complexity.”—Booklist (Booklist)“Blue Yodel emits a powerful call from the forgotten to the forgotten, the remembered, the loved, the unloved, the lost, and the found.  Let’s hope everyone is lucky enough to hear its cry.”—Oriana Tang, The Adroit Journal (Oriana Tang The Adroit Journal)

About the Author Ansel Elkins was educated at Sarah Lawrence College and the University of North Carolina at Greensboro. Her work has appeared in The American Scholar, The Believer, Oxford American, Parnassus, and others. She lives in Greensboro, NC.

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2 of 2 people found the following review helpful. will stick in your head for a while By B. Capossere I had a mixed response to “Blue Yodel,” Ansel Elkins’ award-winning collection of poetry. As with just about any collection, whether poetry or prose, there is a range of quality and effect. When Elkins was good, she was absolutely great, writing poems that moved the reader fiercely regardless of topic and through a variety of styles. In “Reverse: A Lynching” for instance, she employs a string of short imperatives in a pounding incantation:Return the tree, the moon, the naked manHanging from the indifferent branchReturn blood to his brain, breath to his heartReunite the neck with the bridge of his bodyUntie the knot, undo the noose . . .Unwidow his wifeUnbreak the windowUnkiss the crucifix of her necklaceUnsay hide the children in the back . . .Rescind the savagery of men . . .Resurrect the dark from its heart housed in terrorReenter the night through its door of mercyLike a spell, like a fervent plea, its short sentences and repetition wind their way around and into your mind, while the sharpness of the images keep it grounded in a concrete historical accuracy, a sense of real lives, as with that kiss of his wife’s crucifix.Equally powerful, albeit in a starkly different tone, is “Ghost at my Door,” a mother’s book of months following the disappearance of her daughter, the only signs ever found her “woven rope bracelet she’d worn that day,” “a set of “tire tracks by the unpaved road alongside the river,” and “Sunk into mud and snow, a heavy bootprint.” Elkins makes good use of sound in this segment, the assonance of the “woven rope,” for example, but especially that slow fall of that footprint, “sunk into mud,” the way the line itself thuds at the end like the “heavy bootprint” itself, landing like the unexpressed fear and finality it carries with it. That was in December. In January the mother “combs the woods and slash pine in unlaced boots/I called her name/and called her name.” In Marches she burns all the dresses (hers and her daughter’s), in May she removes the door to her house, “What was the use of keeping anyone out or in?” and in December again, the year gone round, the wind reminds her “I am still alive/in the world of the living” and she wonders “why not even her ghost has returned though I wait for her at the door of they physical world.” A much longer poem than the first I quoted, filled with more sweeping lines, lines that meander around, yet the poem moves the reader just as much.Those burned dresses are just one of the many references to fire and flame that run throughout the work, reference often to passion or sexuality. Other repeated images are the moon, wolves, and reflections. The moon and wolves conveying a sense of lust or passion again, the reflections (and sometimes the moon acts as a reflector) often the idea of self-awareness—sometimes recognition, sometimes surprise. This self-awareness arises as well in some repeated images of a blossoming into oneself.If other poems are not quite as strong as the two quoted above, most more than suffice. A few are less successful. At times the language falls a bit flat, predictable or overly familiar, “ribbon of highway” for example. Now and then we’re told perhaps more than we need, as when in “Ghost at my door,” the speaker tells us she too was “unlaced,” something maybe Elkins could have trusted the reader to have picked up on with the description of the boots.I always assume collections will be uneven, and certainly the majority of poems in Blue Yodel succeed, with several of them hitting a high mark indeed, lingering long in the head afterward thanks to their emotional power and exemplary craft. Recommended.

0 of 0 people found the following review helpful. Brilliant new young poet By Susan Drees Blue Yodel is the winner of the Yale Series of Younger Poets prize for Ansel Elkins for what is her debut poetry collection. As I read this over two sittings I was struck by the power and immediacy of Elkin's voice, by her unflinching look into the often dark corners of life. But I am also struck by the beauty of her words, the Southern country setting, the strength of her people---however eccentric.Among my favorite poems are: The Girl with Antlers, Autobiography of Eve, Real Housewives, Tornado, Hour of the Wolf, Reverse: A Lynching, and Ghost at My Door. There are some others that left me scratching my head a bit and which definitely will need more time to reconnoiter but almost all are immediately effective on some level.There are elements of myth and folk tales sprinkled here and there and also at least a couple of places that, for me, spoke of an Oriental influence.From Hour of the Wolf:Souls of the newdead driftLike floating lanternsOver a river woven with ghosts.There are also numerous evocations of the wind which has a role to play in several poems. Here in Ghost at My DoorWind guides its fingers into the windowless house,threads through the yawn of absent door, where, evenif nothing inside me moves, the wind's breathmoves through me. Singsthrough my bones like wind chimeshanging from eaves. Awakensmy skin to the forgotten sense of touch.I will look for more from Elkins in the future and also return to this collection again in the future.(addendum--any errors in reproduction of line breaks in the poetry are mine)Highly recommendedThis book was received from the publisher through NetGalley in return for an honest review.

0 of 0 people found the following review helpful. Thought-provoking and powerful!! By Carmen Norlien This vivid and touching book of poetry will evoke visceral emotions in the reader. From the weight of dread and sorrow in "Mississippi Pastoral", to the terror and sense of loss in "Tornado", to the horrors of racism in "Reverse: A Lynching", to the duality of human nature in "Crying Wolf", and the self-acceptance and finding beauty in all people of "The Girl With Antlers", a full range of the human experience lies within these poems. I could read them several times and find a new layer of meaning each time. Thought-provoking and powerful. Highly recommend!!

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Blue Yodel (Yale Series of Younger Poets), by Ansel Elkins