The Land of the Green Man: A Journey Through the Supernatural Landscapes of the British Isles, by Carolyne Larrington
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The Land of the Green Man: A Journey Through the Supernatural Landscapes of the British Isles, by Carolyne Larrington
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Beyond its housing estates and identikit high streets there is another Britain. This is the Britain of mist-drenched forests and unpredictable sea-frets: of wraith-like fog banks, druidic mistletoe and peculiar creatures that lurk, half-unseen, in the undergrowth, tantalising and teasing just at the periphery of human vision. How have the remarkably persistent folkloric traditions of the British Isles formed and been formed by the psyches of those who inhabit them? In this sparkling new history, Carolyne Larrington explores the diverse ways in which a myriad of fantastical beings has moulded the nation’s cultural history. Fairies, elves and goblins here tread purposefully, sometimes malignly, over an eerie landscape that also conceals brownies, selkies, trows, knockers, boggarts, land-wights, Jack o’Lanterns, Barguests, the sinister Nuckleavee and Black Shuck: terrifying hell-hound of the Norfolk coast with eyes of burning coal. Ranging from Shetland to Jersey and from Ireland to East Anglia, while evoking the Wild Hunt, the ghostly bells of Lyonesse and the dread fenlands haunted by Grendel, this is a book that will captivate all those who long for the wild places: the mountains and chasms where giants lie in wait.
The Land of the Green Man: A Journey Through the Supernatural Landscapes of the British Isles, by Carolyne Larrington- Amazon Sales Rank: #192309 in Books
- Published on: 2015-10-30
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 1.00" w x 5.00" l, .94 pounds
- Binding: Hardcover
- 256 pages
Review
…a survey crammed with every myth, legend, elf, giant, and fairy tale related to the British landscape. These old stories are interwoven with references to contemporary authors who have fed British folklore into their fiction: Susan Cooper, Neil Gaiman, Alan Garner, J. K. Rowling. That the Green Man is there in the title is typical of the symbolic importance he has assumed in discussions of all things pertaining to British folklore… Larrington takes the twenty-first-century scholar’s perspective on the Green Man.
(Josephine Livingstone, The New Yorker, March 7, 2016 2016-03-07)About the Author Carolyn Larrington teaches Medieval English Literature at St. John’s College, Oxford. Her previous books include The Women’s Companion to Mythology, The Poetic Edda and Magical Tales: Myth, Legend and Enchantment in Children’s books.
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Most helpful customer reviews
4 of 4 people found the following review helpful. A Different Travel Guide for the British Isles By Wallace Rinkelhaus There is the land we know, the familiar terrain on which we live, engaging in a myriad of activities. We find our way around this land, home, by maps, by directions given by others, by personal knowledge, acquired over time and through practice and repetition.And there is the land we remember. When I drive home to North Carolina, where I was born and raised, where I came of age, educated, and began my adult life (1950s-90s), memory tells me I am coming home, even if the landscape has changed. I physically feel different. I remember the stories of what happened where and to whom and why.This is personal and family memory, a memory preserved and transmuted through story. In Larrington's exploration of the "supernatural landscapes of the British Isles," she examines a terrain of a memory of which the personal and the familial are a part, cultural memory. I am not speakng here of historical memory so much--what happened here on this spot, in this place, at a certain time in the past, and the weight and value of such memories, their significance. That is one way of knowing.As Larrington says, there is a "second way of knowing," of remembering, of knowing the land, through the stories and legends of folk tradition, here, those of "the British landscape." Larrington takes the reader on a journey, as the subtitle says, through the "supernatural landscapes" of the British Isles, from the islands in the far north, to Ireland, to the Isle of Man, and England, Scotland, and Wales. Here, the black dog was seen. Here, merfolk and over there, giants. Fairies, werewolves, monsters, changelings, selkies...These are local tales, part of greater mythologies and legends, true, but as Tolkien and Lewis realized, "the great heroic legend cycles had their counterparts in the local and individual. For Tolkien and Lewis, and those writers of fantasy who came after them, understood that British folk legends and the supernatural creatures who inhabit them have important things to say about human existence. Thinking about life and death, about children and animals, about riches and poverty, about love and desire, past and future: all this is work that can be accomplished through hearing, reading, and considering our traditional tales" (8-9). "Giants, selkies, hobs, mermaids, wild men, knockers, werewolves and, above all, fairies remain good to think with and good to feel with--they tap into our concerns, anxieties,questions about being human and about how we live now, in this land" (10).This book is a journey. Others have taken it, Tolkien, Lewis, and more recently, writers such as Rowling, Garner, Pullman, and Alexander. Does it matter that I am an American and not British? Yes, and no--this is not my native terrain, but it is one from many of my ancestors come, and when I first visited Britain, I felt as if I were coming home. Some visits later, I still feel that way.No, not all British fantasy writers are mentioned, but this is not meant to be comprehensive.Take this journey. As the Table of Contents suggests, this is a journey over time, of lust and love, death and loss, gain and lack, the beast and the human, and continuity--the tales are still there, part of the fabric, part of the land. And change, as we retell them, as we change where and how we live.I wish I could explore the British Isles with this as my travel guide.
7 of 11 people found the following review helpful. A good reference book for anyone interested in myths and legends from the UK. By Janis Hill I would like to thank I.B.Tauris for providing me with a free ARC of this book in exchange for an open and honest review.Definitely more a text book than something you casually read as something to do. And I agree with the other reviews – why no mention of Pratchett?Okay, that’s all going to sound far more negative than I mean it to be. This was a fascinating and educational book and I did get some fantastic information from it that was new to me. But I will stand by my comments that this is more the sort of book you read for research and study than just to while away a few hours.I like text books, I love to research and so, for me, whiling away the hours with this was sort of okay… but I really did find it slow going at times and it seemed to get distracted at what the point it was trying to make actually was. Heck, I get like that… pretty sure at least half my reviews appear like that. ;-) But, yeah, not a book to casually read.I also found the layout format rather dull and I feel this added to the ‘text book’ feel. Then again, if ‘The Land of the Green Man’ is being sold as a text book – nailed it. For me, too blocky, not enough gaps/ paragraphs and sometimes very easy to go cross eyed over and start thinking about other things and losing concentration on what I was trying to read.From the blurb on Netgalley I was expecting a slightly lighter style of read and not the heavy text book I got.Would I recommend this book to others? I might mention it in passing as a good reference book if people were trying to research the myths and legends associated with areas of the UK. But I wouldn’t jump up and down and tell everyone it was the ‘must read’ book of the season.Would I buy this book for myself? Yes I would. See my comments on loving to research and how I gleaned some new information from ‘The Land of the Green Man’. Don’t get me wrong, this is an excellent reference book to add to the collection of anyone wanting to cover the myths and legends of the UK. I really could see myself referring back to this book often due to my own writing and wanting to be inspired by those story tellers who came before me.In summary: A little slow going, not the light and easy read I took it to be from the blurb, but still a worthy book to add to any true lover of myths and legends library.
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